Category: LoC Class

  • The Shoemaker

    The following is an excerpt of original content distributed from the Project Gutenberg website.

    Good day!” said Monsieur Defarge, looking down at the white head that bent low over the shoemaking.

    It was raised for a moment, and a very faint voice responded to the salutation, as if it were at a distance:

    “Good day!”

    “You are still hard at work, I see?”

    After a long silence, the head was lifted for another moment, and the voice replied, “Yes—I am working.” This time, a pair of haggard eyes had looked at the questioner, before the face had dropped again.

    The faintness of the voice was pitiable and dreadful. It was not the faintness of physical weakness, though confinement and hard fare no doubt had their part in it. Its deplorable peculiarity was, that it was the faintness of solitude and disuse. It was like the last feeble echo of a sound made long and long ago. So entirely had it lost the life and resonance of the human voice, that it affected the senses like a once beautiful colour faded away into a poor weak stain. So sunken and suppressed it was, that it was like a voice underground. So expressive it was, of a hopeless and lost creature, that a famished traveller, wearied out by lonely wandering in a wilderness, would have remembered home and friends in such a tone before lying down to die.

    Some minutes of silent work had passed: and the haggard eyes had looked up again: not with any interest or curiosity, but with a dull mechanical perception, beforehand, that the spot where the only visitor they were aware of had stood, was not yet empty.

    “I want,” said Defarge, who had not removed his gaze from the shoemaker, “to let in a little more light here. You can bear a little more?”

    The shoemaker stopped his work; looked with a vacant air of listening, at the floor on one side of him; then similarly, at the floor on the other side of him; then, upward at the speaker.

    “What did you say?”

    “You can bear a little more light?”

    “I must bear it, if you let it in.” (Laying the palest shadow of a stress upon the second word.)

    The opened half-door was opened a little further, and secured at that angle for the time. A broad ray of light fell into the garret, and showed the workman with an unfinished shoe upon his lap, pausing in his labour. His few common tools and various scraps of leather were at his feet and on his bench. He had a white beard, raggedly cut, but not very long, a hollow face, and exceedingly bright eyes. The hollowness and thinness of his face would have caused them to look large, under his yet dark eyebrows and his confused white hair, though they had been really otherwise; but, they were naturally large, and looked unnaturally so. His yellow rags of shirt lay open at the throat, and showed his body to be withered and worn. He, and his old canvas frock, and his loose stockings, and all his poor tatters of clothes, had, in a long seclusion from direct light and air, faded down to such a dull uniformity of parchment-yellow, that it would have been hard to say which was which.

    He had put up a hand between his eyes and the light, and the very bones of it seemed transparent. So he sat, with a steadfastly vacant gaze, pausing in his work. He never looked at the figure before him, without first looking down on this side of himself, then on that, as if he had lost the habit of associating place with sound; he never spoke, without first wandering in this manner, and forgetting to speak.

    “Are you going to finish that pair of shoes to-day?” asked Defarge, motioning to Mr. Lorry to come forward.

    “What did you say?”

    “Do you mean to finish that pair of shoes to-day?”

    “I can’t say that I mean to. I suppose so. I don’t know.”

    But, the question reminded him of his work, and he bent over it again.

    Mr. Lorry came silently forward, leaving the daughter by the door. When he had stood, for a minute or two, by the side of Defarge, the shoemaker looked up. He showed no surprise at seeing another figure, but the unsteady fingers of one of his hands strayed to his lips as he looked at it (his lips and his nails were of the same pale lead-colour), and then the hand dropped to his work, and he once more bent over the shoe. The look and the action had occupied but an instant.

    “You have a visitor, you see,” said Monsieur Defarge.

    “What did you say?”

    “Here is a visitor.”

    The shoemaker looked up as before, but without removing a hand from his work.

    “Come!” said Defarge. “Here is monsieur, who knows a well-made shoe when he sees one. Show him that shoe you are working at. Take it, monsieur.”

    Mr. Lorry took it in his hand.

    “Tell monsieur what kind of shoe it is, and the maker’s name.”

    There was a longer pause than usual, before the shoemaker replied:

    “I forget what it was you asked me. What did you say?”

    “I said, couldn’t you describe the kind of shoe, for monsieur’s information?”

    “It is a lady’s shoe. It is a young lady’s walking-shoe. It is in the present mode. I never saw the mode. I have had a pattern in my hand.” He glanced at the shoe with some little passing touch of pride.

    “And the maker’s name?” said Defarge.

    Now that he had no work to hold, he laid the knuckles of the right hand in the hollow of the left, and then the knuckles of the left hand in the hollow of the right, and then passed a hand across his bearded chin, and so on in regular changes, without a moment’s intermission. The task of recalling him from the vagrancy into which he always sank when he had spoken, was like recalling some very weak person from a swoon, or endeavouring, in the hope of some disclosure, to stay the spirit of a fast-dying man.

    “Did you ask me for my name?”

    “Assuredly I did.”

    “One Hundred and Five, North Tower.”

    “Is that all?”

    “One Hundred and Five, North Tower.”

    With a weary sound that was not a sigh, nor a groan, he bent to work again, until the silence was again broken.

    “You are not a shoemaker by trade?” said Mr. Lorry, looking steadfastly at him.

    His haggard eyes turned to Defarge as if he would have transferred the question to him: but as no help came from that quarter, they turned back on the questioner when they had sought the ground.

    “I am not a shoemaker by trade? No, I was not a shoemaker by trade. I-I learnt it here. I taught myself. I asked leave to—”

    He lapsed away, even for minutes, ringing those measured changes on his hands the whole time. His eyes came slowly back, at last, to the face from which they had wandered; when they rested on it, he started, and resumed, in the manner of a sleeper that moment awake, reverting to a subject of last night.

    “I asked leave to teach myself, and I got it with much difficulty after a long while, and I have made shoes ever since.”

    As he held out his hand for the shoe that had been taken from him, Mr. Lorry said, still looking steadfastly in his face:

    “Monsieur Manette, do you remember nothing of me?”

    The shoe dropped to the ground, and he sat looking fixedly at the questioner.

    “Monsieur Manette”; Mr. Lorry laid his hand upon Defarge’s arm; “do you remember nothing of this man? Look at him. Look at me. Is there no old banker, no old business, no old servant, no old time, rising in your mind, Monsieur Manette?”

    As the captive of many years sat looking fixedly, by turns, at Mr. Lorry and at Defarge, some long obliterated marks of an actively intent intelligence in the middle of the forehead, gradually forced themselves through the black mist that had fallen on him. They were overclouded again, they were fainter, they were gone; but they had been there. And so exactly was the expression repeated on the fair young face of her who had crept along the wall to a point where she could see him, and where she now stood looking at him, with hands which at first had been only raised in frightened compassion, if not even to keep him off and shut out the sight of him, but which were now extending towards him, trembling with eagerness to lay the spectral face upon her warm young breast, and love it back to life and hope—so exactly was the expression repeated (though in stronger characters) on her fair young face, that it looked as though it had passed like a moving light, from him to her.

    Darkness had fallen on him in its place. He looked at the two, less and less attentively, and his eyes in gloomy abstraction sought the ground and looked about him in the old way. Finally, with a deep long sigh, he took the shoe up, and resumed his work.

    “Have you recognised him, monsieur?” asked Defarge in a whisper.

    “Yes; for a moment. At first I thought it quite hopeless, but I have unquestionably seen, for a single moment, the face that I once knew so well. Hush! Let us draw further back. Hush!”

    She had moved from the wall of the garret, very near to the bench on which he sat. There was something awful in his unconsciousness of the figure that could have put out its hand and touched him as he stooped over his labour.

    Not a word was spoken, not a sound was made. She stood, like a spirit, beside him, and he bent over his work.

    It happened, at length, that he had occasion to change the instrument in his hand, for his shoemaker’s knife. It lay on that side of him which was not the side on which she stood. He had taken it up, and was stooping to work again, when his eyes caught the skirt of her dress. He raised them, and saw her face. The two spectators started forward, but she stayed them with a motion of her hand. She had no fear of his striking at her with the knife, though they had.

    He stared at her with a fearful look, and after a while his lips began to form some words, though no sound proceeded from them. By degrees, in the pauses of his quick and laboured breathing, he was heard to say:

    “What is this?”

    With the tears streaming down her face, she put her two hands to her lips, and kissed them to him; then clasped them on her breast, as if she laid his ruined head there.

    “You are not the gaoler’s daughter?”

    She sighed “No.”

    “Who are you?”

    Not yet trusting the tones of her voice, she sat down on the bench beside him. He recoiled, but she laid her hand upon his arm. A strange thrill struck him when she did so, and visibly passed over his frame; he laid the knife down softly, as he sat staring at her.

    Her golden hair, which she wore in long curls, had been hurriedly pushed aside, and fell down over her neck. Advancing his hand by little and little, he took it up and looked at it. In the midst of the action he went astray, and, with another deep sigh, fell to work at his shoemaking.

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    But not for long. Releasing his arm, she laid her hand upon his shoulder. After looking doubtfully at it, two or three times, as if to be sure that it was really there, he laid down his work, put his hand to his neck, and took off a blackened string with a scrap of folded rag attached to it. He opened this, carefully, on his knee, and it contained a very little quantity of hair: not more than one or two long golden hairs, which he had, in some old day, wound off upon his finger.

    He took her hair into his hand again, and looked closely at it. “It is the same. How can it be! When was it! How was it!”

    As the concentrated expression returned to his forehead, he seemed to become conscious that it was in hers too. He turned her full to the light, and looked at her.

    “She had laid her head upon my shoulder, that night when I was summoned out—she had a fear of my going, though I had none—and when I was brought to the North Tower they found these upon my sleeve. ‘You will leave me them? They can never help me to escape in the body, though they may in the spirit.’ Those were the words I said. I remember them very well.”

    He formed this speech with his lips many times before he could utter it. But when he did find spoken words for it, they came to him coherently, though slowly.

    “How was this?—Was it you?”

    Once more, the two spectators started, as he turned upon her with a frightful suddenness. But she sat perfectly still in his grasp, and only said, in a low voice, “I entreat you, good gentlemen, do not come near us, do not speak, do not move!”

    “Hark!” he exclaimed. “Whose voice was that?”

    His hands released her as he uttered this cry, and went up to his white hair, which they tore in a frenzy. It died out, as everything but his shoemaking did die out of him, and he refolded his little packet and tried to secure it in his breast; but he still looked at her, and gloomily shook his head.

    “No, no, no; you are too young, too blooming. It can’t be. See what the prisoner is. These are not the hands she knew, this is not the face she knew, this is not a voice she ever heard. No, no. She was—and He was—before the slow years of the North Tower—ages ago. What is your name, my gentle angel?”

    Hailing his softened tone and manner, his daughter fell upon her knees before him, with her appealing hands upon his breast.

    “O, sir, at another time you shall know my name, and who my mother was, and who my father, and how I never knew their hard, hard history. But I cannot tell you at this time, and I cannot tell you here. All that I may tell you, here and now, is, that I pray to you to touch me and to bless me. Kiss me, kiss me! O my dear, my dear!”

    His cold white head mingled with her radiant hair, which warmed and lighted it as though it were the light of Freedom shining on him.

    “If you hear in my voice—I don’t know that it is so, but I hope it is—if you hear in my voice any resemblance to a voice that once was sweet music in your ears, weep for it, weep for it! If you touch, in touching my hair, anything that recalls a beloved head that lay on your breast when you were young and free, weep for it, weep for it! If, when I hint to you of a Home that is before us, where I will be true to you with all my duty and with all my faithful service, I bring back the remembrance of a Home long desolate, while your poor heart pined away, weep for it, weep for it!”

    She held him closer round the neck, and rocked him on her breast like a child.

    “If, when I tell you, dearest dear, that your agony is over, and that I have come here to take you from it, and that we go to England to be at peace and at rest, I cause you to think of your useful life laid waste, and of our native France so wicked to you, weep for it, weep for it! And if, when I shall tell you of my name, and of my father who is living, and of my mother who is dead, you learn that I have to kneel to my honoured father, and implore his pardon for having never for his sake striven all day and lain awake and wept all night, because the love of my poor mother hid his torture from me, weep for it, weep for it! Weep for her, then, and for me! Good gentlemen, thank God! I feel his sacred tears upon my face, and his sobs strike against my heart. O, see! Thank God for us, thank God!”

    He had sunk in her arms, and his face dropped on her breast: a sight so touching, yet so terrible in the tremendous wrong and suffering which had gone before it, that the two beholders covered their faces.

    When the quiet of the garret had been long undisturbed, and his heaving breast and shaken form had long yielded to the calm that must follow all storms—emblem to humanity, of the rest and silence into which the storm called Life must hush at last—they came forward to raise the father and daughter from the ground. He had gradually dropped to the floor, and lay there in a lethargy, worn out. She had nestled down with him, that his head might lie upon her arm; and her hair drooping over him curtained him from the light.

    “If, without disturbing him,” she said, raising her hand to Mr. Lorry as he stooped over them, after repeated blowings of his nose, “all could be arranged for our leaving Paris at once, so that, from the very door, he could be taken away—”

    “But, consider. Is he fit for the journey?” asked Mr. Lorry.

    “More fit for that, I think, than to remain in this city, so dreadful to him.”

    “It is true,” said Defarge, who was kneeling to look on and hear. “More than that; Monsieur Manette is, for all reasons, best out of France. Say, shall I hire a carriage and post-horses?”

    “That’s business,” said Mr. Lorry, resuming on the shortest notice his methodical manners; “and if business is to be done, I had better do it.”

    “Then be so kind,” urged Miss Manette, “as to leave us here. You see how composed he has become, and you cannot be afraid to leave him with me now. Why should you be? If you will lock the door to secure us from interruption, I do not doubt that you will find him, when you come back, as quiet as you leave him. In any case, I will take care of him until you return, and then we will remove him straight.”

    Both Mr. Lorry and Defarge were rather disinclined to this course, and in favour of one of them remaining. But, as there were not only carriage and horses to be seen to, but travelling papers; and as time pressed, for the day was drawing to an end, it came at last to their hastily dividing the business that was necessary to be done, and hurrying away to do it.

    Then, as the darkness closed in, the daughter laid her head down on the hard ground close at the father’s side, and watched him. The darkness deepened and deepened, and they both lay quiet, until a light gleamed through the chinks in the wall.

    Mr. Lorry and Monsieur Defarge had made all ready for the journey, and had brought with them, besides travelling cloaks and wrappers, bread and meat, wine, and hot coffee. Monsieur Defarge put this provender, and the lamp he carried, on the shoemaker’s bench (there was nothing else in the garret but a pallet bed), and he and Mr. Lorry roused the captive, and assisted him to his feet.

    No human intelligence could have read the mysteries of his mind, in the scared blank wonder of his face. Whether he knew what had happened, whether he recollected what they had said to him, whether he knew that he was free, were questions which no sagacity could have solved. They tried speaking to him; but, he was so confused, and so very slow to answer, that they took fright at his bewilderment, and agreed for the time to tamper with him no more. He had a wild, lost manner of occasionally clasping his head in his hands, that had not been seen in him before; yet, he had some pleasure in the mere sound of his daughter’s voice, and invariably turned to it when she spoke.

    In the submissive way of one long accustomed to obey under coercion, he ate and drank what they gave him to eat and drink, and put on the cloak and other wrappings, that they gave him to wear. He readily responded to his daughter’s drawing her arm through his, and took—and kept—her hand in both his own.

    They began to descend; Monsieur Defarge going first with the lamp, Mr. Lorry closing the little procession. They had not traversed many steps of the long main staircase when he stopped, and stared at the roof and round at the walls.

    “You remember the place, my father? You remember coming up here?”

    “What did you say?”

    But, before she could repeat the question, he murmured an answer as if she had repeated it.

    “Remember? No, I don’t remember. It was so very long ago.”

    That he had no recollection whatever of his having been brought from his prison to that house, was apparent to them. They heard him mutter, “One Hundred and Five, North Tower;” and when he looked about him, it evidently was for the strong fortress-walls which had long encompassed him. On their reaching the courtyard he instinctively altered his tread, as being in expectation of a drawbridge; and when there was no drawbridge, and he saw the carriage waiting in the open street, he dropped his daughter’s hand and clasped his head again.

    No crowd was about the door; no people were discernible at any of the many windows; not even a chance passerby was in the street. An unnatural silence and desertion reigned there. Only one soul was to be seen, and that was Madame Defarge—who leaned against the door-post, knitting, and saw nothing.

    The prisoner had got into a coach, and his daughter had followed him, when Mr. Lorry’s feet were arrested on the step by his asking, miserably, for his shoemaking tools and the unfinished shoes. Madame Defarge immediately called to her husband that she would get them, and went, knitting, out of the lamplight, through the courtyard. She quickly brought them down and handed them in;—and immediately afterwards leaned against the door-post, knitting, and saw nothing.

    Defarge got upon the box, and gave the word “To the Barrier!” The postilion cracked his whip, and they clattered away under the feeble over-swinging lamps.

    Under the over-swinging lamps—swinging ever brighter in the better streets, and ever dimmer in the worse—and by lighted shops, gay crowds, illuminated coffee-houses, and theatre-doors, to one of the city gates. Soldiers with lanterns, at the guard-house there. “Your papers, travellers!” “See here then, Monsieur the Officer,” said Defarge, getting down, and taking him gravely apart, “these are the papers of monsieur inside, with the white head. They were consigned to me, with him, at the—” He dropped his voice, there was a flutter among the military lanterns, and one of them being handed into the coach by an arm in uniform, the eyes connected with the arm looked, not an every day or an every night look, at monsieur with the white head. “It is well. Forward!” from the uniform. “Adieu!” from Defarge. And so, under a short grove of feebler and feebler over-swinging lamps, out under the great grove of stars.

    Beneath that arch of unmoved and eternal lights; some, so remote from this little earth that the learned tell us it is doubtful whether their rays have even yet discovered it, as a point in space where anything is suffered or done: the shadows of the night were broad and black. All through the cold and restless interval, until dawn, they once more whispered in the ears of Mr. Jarvis Lorry—sitting opposite the buried man who had been dug out, and wondering what subtle powers were for ever lost to him, and what were capable of restoration—the old inquiry:

    “I hope you care to be recalled to life?”

    And the old answer:

    “I can’t say.”

    The end of the first book.

    http://www.gutenberg.org/ebooks/98

  • The Wine-shop

    The following is an excerpt of original content distributed from the Project Gutenberg website.


    large cask of wine had been dropped and broken, in the street. The accident had happened in getting it out of a cart; the cask had tumbled out with a run, the hoops had burst, and it lay on the stones just outside the door of the wine-shop, shattered like a walnut-shell.

    All the people within reach had suspended their business, or their idleness, to run to the spot and drink the wine. The rough, irregular stones of the street, pointing every way, and designed, one might have thought, expressly to lame all living creatures that approached them, had dammed it into little pools; these were surrounded, each by its own jostling group or crowd, according to its size. Some men kneeled down, made scoops of their two hands joined, and sipped, or tried to help women, who bent over their shoulders, to sip, before the wine had all run out between their fingers. Others, men and women, dipped in the puddles with little mugs of mutilated earthenware, or even with handkerchiefs from women’s heads, which were squeezed dry into infants’ mouths; others made small mud-embankments, to stem the wine as it ran; others, directed by lookers-on up at high windows, darted here and there, to cut off little streams of wine that started away in new directions; others devoted themselves to the sodden and lee-dyed pieces of the cask, licking, and even champing the moister wine-rotted fragments with eager relish. There was no drainage to carry off the wine, and not only did it all get taken up, but so much mud got taken up along with it, that there might have been a scavenger in the street, if anybody acquainted with it could have believed in such a miraculous presence.

    A shrill sound of laughter and of amused voices—voices of men, women, and children—resounded in the street while this wine game lasted. There was little roughness in the sport, and much playfulness. There was a special companionship in it, an observable inclination on the part of every one to join some other one, which led, especially among the luckier or lighter-hearted, to frolicsome embraces, drinking of healths, shaking of hands, and even joining of hands and dancing, a dozen together. When the wine was gone, and the places where it had been most abundant were raked into a gridiron-pattern by fingers, these demonstrations ceased, as suddenly as they had broken out. The man who had left his saw sticking in the firewood he was cutting, set it in motion again; the women who had left on a door-step the little pot of hot ashes, at which she had been trying to soften the pain in her own starved fingers and toes, or in those of her child, returned to it; men with bare arms, matted locks, and cadaverous faces, who had emerged into the winter light from cellars, moved away, to descend again; and a gloom gathered on the scene that appeared more natural to it than sunshine.

    The wine was red wine, and had stained the ground of the narrow street in the suburb of Saint Antoine, in Paris, where it was spilled. It had stained many hands, too, and many faces, and many naked feet, and many wooden shoes. The hands of the man who sawed the wood, left red marks on the billets; and the forehead of the woman who nursed her baby, was stained with the stain of the old rag she wound about her head again. Those who had been greedy with the staves of the cask, had acquired a tigerish smear about the mouth; and one tall joker so besmirched, his head more out of a long squalid bag of a nightcap than in it, scrawled upon a wall with his finger dipped in muddy wine-lees—blood.

    The time was to come, when that wine too would be spilled on the street-stones, and when the stain of it would be red upon many there.

    And now that the cloud settled on Saint Antoine, which a momentary gleam had driven from his sacred countenance, the darkness of it was heavy—cold, dirt, sickness, ignorance, and want, were the lords in waiting on the saintly presence—nobles of great power all of them; but, most especially the last. Samples of a people that had undergone a terrible grinding and regrinding in the mill, and certainly not in the fabulous mill which ground old people young, shivered at every corner, passed in and out at every doorway, looked from every window, fluttered in every vestige of a garment that the wind shook. The mill which had worked them down, was the mill that grinds young people old; the children had ancient faces and grave voices; and upon them, and upon the grown faces, and ploughed into every furrow of age and coming up afresh, was the sigh, Hunger. It was prevalent everywhere. Hunger was pushed out of the tall houses, in the wretched clothing that hung upon poles and lines; Hunger was patched into them with straw and rag and wood and paper; Hunger was repeated in every fragment of the small modicum of firewood that the man sawed off; Hunger stared down from the smokeless chimneys, and started up from the filthy street that had no offal, among its refuse, of anything to eat. Hunger was the inscription on the baker’s shelves, written in every small loaf of his scanty stock of bad bread; at the sausage-shop, in every dead-dog preparation that was offered for sale. Hunger rattled its dry bones among the roasting chestnuts in the turned cylinder; Hunger was shred into atomics in every farthing porringer of husky chips of potato, fried with some reluctant drops of oil.

    Its abiding place was in all things fitted to it. A narrow winding street, full of offence and stench, with other narrow winding streets diverging, all peopled by rags and nightcaps, and all smelling of rags and nightcaps, and all visible things with a brooding look upon them that looked ill. In the hunted air of the people there was yet some wild-beast thought of the possibility of turning at bay. Depressed and slinking though they were, eyes of fire were not wanting among them; nor compressed lips, white with what they suppressed; nor foreheads knitted into the likeness of the gallows-rope they mused about enduring, or inflicting. The trade signs (and they were almost as many as the shops) were, all, grim illustrations of Want. The butcher and the porkman painted up, only the leanest scrags of meat; the baker, the coarsest of meagre loaves. The people rudely pictured as drinking in the wine-shops, croaked over their scanty measures of thin wine and beer, and were gloweringly confidential together. Nothing was represented in a flourishing condition, save tools and weapons; but, the cutler’s knives and axes were sharp and bright, the smith’s hammers were heavy, and the gunmaker’s stock was murderous. The crippling stones of the pavement, with their many little reservoirs of mud and water, had no footways, but broke off abruptly at the doors. The kennel, to make amends, ran down the middle of the street—when it ran at all: which was only after heavy rains, and then it ran, by many eccentric fits, into the houses. Across the streets, at wide intervals, one clumsy lamp was slung by a rope and pulley; at night, when the lamplighter had let these down, and lighted, and hoisted them again, a feeble grove of dim wicks swung in a sickly manner overhead, as if they were at sea. Indeed they were at sea, and the ship and crew were in peril of tempest.

    For, the time was to come, when the gaunt scarecrows of that region should have watched the lamplighter, in their idleness and hunger, so long, as to conceive the idea of improving on his method, and hauling up men by those ropes and pulleys, to flare upon the darkness of their condition. But, the time was not come yet; and every wind that blew over France shook the rags of the scarecrows in vain, for the birds, fine of song and feather, took no warning.

    The wine-shop was a corner shop, better than most others in its appearance and degree, and the master of the wine-shop had stood outside it, in a yellow waistcoat and green breeches, looking on at the struggle for the lost wine. “It’s not my affair,” said he, with a final shrug of the shoulders. “The people from the market did it. Let them bring another.”

    There, his eyes happening to catch the tall joker writing up his joke, he called to him across the way:

    “Say, then, my Gaspard, what do you do there?”

    The fellow pointed to his joke with immense significance, as is often the way with his tribe. It missed its mark, and completely failed, as is often the way with his tribe too.

    “What now? Are you a subject for the mad hospital?” said the wine-shop keeper, crossing the road, and obliterating the jest with a handful of mud, picked up for the purpose, and smeared over it. “Why do you write in the public streets? Is there—tell me thou—is there no other place to write such words in?”

    In his expostulation he dropped his cleaner hand (perhaps accidentally, perhaps not) upon the joker’s heart. The joker rapped it with his own, took a nimble spring upward, and came down in a fantastic dancing attitude, with one of his stained shoes jerked off his foot into his hand, and held out. A joker of an extremely, not to say wolfishly practical character, he looked, under those circumstances.

    “Put it on, put it on,” said the other. “Call wine, wine; and finish there.” With that advice, he wiped his soiled hand upon the joker’s dress, such as it was—quite deliberately, as having dirtied the hand on his account; and then recrossed the road and entered the wine-shop.

    This wine-shop keeper was a bull-necked, martial-looking man of thirty, and he should have been of a hot temperament, for, although it was a bitter day, he wore no coat, but carried one slung over his shoulder. His shirt-sleeves were rolled up, too, and his brown arms were bare to the elbows. Neither did he wear anything more on his head than his own crisply-curling short dark hair. He was a dark man altogether, with good eyes and a good bold breadth between them. Good-humoured looking on the whole, but implacable-looking, too; evidently a man of a strong resolution and a set purpose; a man not desirable to be met, rushing down a narrow pass with a gulf on either side, for nothing would turn the man.

    Madame Defarge, his wife, sat in the shop behind the counter as he came in. Madame Defarge was a stout woman of about his own age, with a watchful eye that seldom seemed to look at anything, a large hand heavily ringed, a steady face, strong features, and great composure of manner. There was a character about Madame Defarge, from which one might have predicated that she did not often make mistakes against herself in any of the reckonings over which she presided. Madame Defarge being sensitive to cold, was wrapped in fur, and had a quantity of bright shawl twined about her head, though not to the concealment of her large earrings. Her knitting was before her, but she had laid it down to pick her teeth with a toothpick. Thus engaged, with her right elbow supported by her left hand, Madame Defarge said nothing when her lord came in, but coughed just one grain of cough. This, in combination with the lifting of her darkly defined eyebrows over her toothpick by the breadth of a line, suggested to her husband that he would do well to look round the shop among the customers, for any new customer who had dropped in while he stepped over the way.

    The wine-shop keeper accordingly rolled his eyes about, until they rested upon an elderly gentleman and a young lady, who were seated in a corner. Other company were there: two playing cards, two playing dominoes, three standing by the counter lengthening out a short supply of wine. As he passed behind the counter, he took notice that the elderly gentleman said in a look to the young lady, “This is our man.”

    “What the devil do you do in that galley there?” said Monsieur Defarge to himself; “I don’t know you.”

    But, he feigned not to notice the two strangers, and fell into discourse with the triumvirate of customers who were drinking at the counter.

    “How goes it, Jacques?” said one of these three to Monsieur Defarge. “Is all the spilt wine swallowed?”

    “Every drop, Jacques,” answered Monsieur Defarge.

    When this interchange of Christian name was effected, Madame Defarge, picking her teeth with her toothpick, coughed another grain of cough, and raised her eyebrows by the breadth of another line.

    “It is not often,” said the second of the three, addressing Monsieur Defarge, “that many of these miserable beasts know the taste of wine, or of anything but black bread and death. Is it not so, Jacques?”

    “It is so, Jacques,” Monsieur Defarge returned.

    At this second interchange of the Christian name, Madame Defarge, still using her toothpick with profound composure, coughed another grain of cough, and raised her eyebrows by the breadth of another line.

    The last of the three now said his say, as he put down his empty drinking vessel and smacked his lips.

    “Ah! So much the worse! A bitter taste it is that such poor cattle always have in their mouths, and hard lives they live, Jacques. Am I right, Jacques?”

    “You are right, Jacques,” was the response of Monsieur Defarge.

    This third interchange of the Christian name was completed at the moment when Madame Defarge put her toothpick by, kept her eyebrows up, and slightly rustled in her seat.

    “Hold then! True!” muttered her husband. “Gentlemen—my wife!”

    The three customers pulled off their hats to Madame Defarge, with three flourishes. She acknowledged their homage by bending her head, and giving them a quick look. Then she glanced in a casual manner round the wine-shop, took up her knitting with great apparent calmness and repose of spirit, and became absorbed in it.

    “Gentlemen,” said her husband, who had kept his bright eye observantly upon her, “good day. The chamber, furnished bachelor-fashion, that you wished to see, and were inquiring for when I stepped out, is on the fifth floor. The doorway of the staircase gives on the little courtyard close to the left here,” pointing with his hand, “near to the window of my establishment. But, now that I remember, one of you has already been there, and can show the way. Gentlemen, adieu!”

    They paid for their wine, and left the place. The eyes of Monsieur Defarge were studying his wife at her knitting when the elderly gentleman advanced from his corner, and begged the favour of a word.

    “Willingly, sir,” said Monsieur Defarge, and quietly stepped with him to the door.

    Their conference was very short, but very decided. Almost at the first word, Monsieur Defarge started and became deeply attentive. It had not lasted a minute, when he nodded and went out. The gentleman then beckoned to the young lady, and they, too, went out. Madame Defarge knitted with nimble fingers and steady eyebrows, and saw nothing.

    Mr. Jarvis Lorry and Miss Manette, emerging from the wine-shop thus, joined Monsieur Defarge in the doorway to which he had directed his own company just before. It opened from a stinking little black courtyard, and was the general public entrance to a great pile of houses, inhabited by a great number of people. In the gloomy tile-paved entry to the gloomy tile-paved staircase, Monsieur Defarge bent down on one knee to the child of his old master, and put her hand to his lips. It was a gentle action, but not at all gently done; a very remarkable transformation had come over him in a few seconds. He had no good-humour in his face, nor any openness of aspect left, but had become a secret, angry, dangerous man.

    “It is very high; it is a little difficult. Better to begin slowly.” Thus, Monsieur Defarge, in a stern voice, to Mr. Lorry, as they began ascending the stairs.

    “Is he alone?” the latter whispered.

    “Alone! God help him, who should be with him!” said the other, in the same low voice.

    “Is he always alone, then?”

    “Yes.”

    “Of his own desire?”

    “Of his own necessity. As he was, when I first saw him after they found me and demanded to know if I would take him, and, at my peril be discreet—as he was then, so he is now.”

    “He is greatly changed?”

    “Changed!”

    The keeper of the wine-shop stopped to strike the wall with his hand, and mutter a tremendous curse. No direct answer could have been half so forcible. Mr. Lorry’s spirits grew heavier and heavier, as he and his two companions ascended higher and higher.

    Such a staircase, with its accessories, in the older and more crowded parts of Paris, would be bad enough now; but, at that time, it was vile indeed to unaccustomed and unhardened senses. Every little habitation within the great foul nest of one high building—that is to say, the room or rooms within every door that opened on the general staircase—left its own heap of refuse on its own landing, besides flinging other refuse from its own windows. The uncontrollable and hopeless mass of decomposition so engendered, would have polluted the air, even if poverty and deprivation had not loaded it with their intangible impurities; the two bad sources combined made it almost insupportable. Through such an atmosphere, by a steep dark shaft of dirt and poison, the way lay. Yielding to his own disturbance of mind, and to his young companion’s agitation, which became greater every instant, Mr. Jarvis Lorry twice stopped to rest. Each of these stoppages was made at a doleful grating, by which any languishing good airs that were left uncorrupted, seemed to escape, and all spoilt and sickly vapours seemed to crawl in. Through the rusted bars, tastes, rather than glimpses, were caught of the jumbled neighbourhood; and nothing within range, nearer or lower than the summits of the two great towers of Notre-Dame, had any promise on it of healthy life or wholesome aspirations.

    At last, the top of the staircase was gained, and they stopped for the third time. There was yet an upper staircase, of a steeper inclination and of contracted dimensions, to be ascended, before the garret story was reached. The keeper of the wine-shop, always going a little in advance, and always going on the side which Mr. Lorry took, as though he dreaded to be asked any question by the young lady, turned himself about here, and, carefully feeling in the pockets of the coat he carried over his shoulder, took out a key.

    “The door is locked then, my friend?” said Mr. Lorry, surprised.

    “Ay. Yes,” was the grim reply of Monsieur Defarge.

    “You think it necessary to keep the unfortunate gentleman so retired?”

    “I think it necessary to turn the key.” Monsieur Defarge whispered it closer in his ear, and frowned heavily.

    “Why?”

    “Why! Because he has lived so long, locked up, that he would be frightened—rave—tear himself to pieces—die—come to I know not what harm—if his door was left open.”

    “Is it possible!” exclaimed Mr. Lorry.

    “Is it possible!” repeated Defarge, bitterly. “Yes. And a beautiful world we live in, when it is possible, and when many other such things are possible, and not only possible, but done—done, see you!—under that sky there, every day. Long live the Devil. Let us go on.”

    This dialogue had been held in so very low a whisper, that not a word of it had reached the young lady’s ears. But, by this time she trembled under such strong emotion, and her face expressed such deep anxiety, and, above all, such dread and terror, that Mr. Lorry felt it incumbent on him to speak a word or two of reassurance.

    “Courage, dear miss! Courage! Business! The worst will be over in a moment; it is but passing the room-door, and the worst is over. Then, all the good you bring to him, all the relief, all the happiness you bring to him, begin. Let our good friend here, assist you on that side. That’s well, friend Defarge. Come, now. Business, business!”

    They went up slowly and softly. The staircase was short, and they were soon at the top. There, as it had an abrupt turn in it, they came all at once in sight of three men, whose heads were bent down close together at the side of a door, and who were intently looking into the room to which the door belonged, through some chinks or holes in the wall. On hearing footsteps close at hand, these three turned, and rose, and showed themselves to be the three of one name who had been drinking in the wine-shop.

    “I forgot them in the surprise of your visit,” explained Monsieur Defarge. “Leave us, good boys; we have business here.”

    The three glided by, and went silently down.

    There appearing to be no other door on that floor, and the keeper of the wine-shop going straight to this one when they were left alone, Mr. Lorry asked him in a whisper, with a little anger:

    “Do you make a show of Monsieur Manette?”

    “I show him, in the way you have seen, to a chosen few.”

    “Is that well?”

    I think it is well.”

    “Who are the few? How do you choose them?”

    “I choose them as real men, of my name—Jacques is my name—to whom the sight is likely to do good. Enough; you are English; that is another thing. Stay there, if you please, a little moment.”

    With an admonitory gesture to keep them back, he stooped, and looked in through the crevice in the wall. Soon raising his head again, he struck twice or thrice upon the door—evidently with no other object than to make a noise there. With the same intention, he drew the key across it, three or four times, before he put it clumsily into the lock, and turned it as heavily as he could.

    The door slowly opened inward under his hand, and he looked into the room and said something. A faint voice answered something. Little more than a single syllable could have been spoken on either side.

    He looked back over his shoulder, and beckoned them to enter. Mr. Lorry got his arm securely round the daughter’s waist, and held her; for he felt that she was sinking.

    “A-a-a-business, business!” he urged, with a moisture that was not of business shining on his cheek. “Come in, come in!”

    “I am afraid of it,” she answered, shuddering.

    “Of it? What?”

    “I mean of him. Of my father.”

    Rendered in a manner desperate, by her state and by the beckoning of their conductor, he drew over his neck the arm that shook upon his shoulder, lifted her a little, and hurried her into the room. He sat her down just within the door, and held her, clinging to him.

    Defarge drew out the key, closed the door, locked it on the inside, took out the key again, and held it in his hand. All this he did, methodically, and with as loud and harsh an accompaniment of noise as he could make. Finally, he walked across the room with a measured tread to where the window was. He stopped there, and faced round.

    The garret, built to be a depository for firewood and the like, was dim and dark: for, the window of dormer shape, was in truth a door in the roof, with a little crane over it for the hoisting up of stores from the street: unglazed, and closing up the middle in two pieces, like any other door of French construction. To exclude the cold, one half of this door was fast closed, and the other was opened but a very little way. Such a scanty portion of light was admitted through these means, that it was difficult, on first coming in, to see anything; and long habit alone could have slowly formed in any one, the ability to do any work requiring nicety in such obscurity. Yet, work of that kind was being done in the garret; for, with his back towards the door, and his face towards the window where the keeper of the wine-shop stood looking at him, a white-haired man sat on a low bench, stooping forward and very busy, making shoes.

    http://www.gutenberg.org/ebooks/98

  • The Preparation

    The following is an excerpt of original content distributed from the Project Gutenberg website.

    When the mail got successfully to Dover, in the course of the forenoon, the head drawer at the Royal George Hotel opened the coach-door as his custom was. He did it with some flourish of ceremony, for a mail journey from London in winter was an achievement to congratulate an adventurous traveller upon.

    By that time, there was only one adventurous traveller left be congratulated: for the two others had been set down at their respective roadside destinations. The mildewy inside of the coach, with its damp and dirty straw, its disagreeable smell, and its obscurity, was rather like a larger dog-kennel. Mr. Lorry, the passenger, shaking himself out of it in chains of straw, a tangle of shaggy wrapper, flapping hat, and muddy legs, was rather like a larger sort of dog.

    “There will be a packet to Calais, tomorrow, drawer?”

    “Yes, sir, if the weather holds and the wind sets tolerable fair. The tide will serve pretty nicely at about two in the afternoon, sir. Bed, sir?”

    “I shall not go to bed till night; but I want a bedroom, and a barber.”

    “And then breakfast, sir? Yes, sir. That way, sir, if you please. Show Concord! Gentleman’s valise and hot water to Concord. Pull off gentleman’s boots in Concord. (You will find a fine sea-coal fire, sir.) Fetch barber to Concord. Stir about there, now, for Concord!”

    The Concord bed-chamber being always assigned to a passenger by the mail, and passengers by the mail being always heavily wrapped up from head to foot, the room had the odd interest for the establishment of the Royal George, that although but one kind of man was seen to go into it, all kinds and varieties of men came out of it. Consequently, another drawer, and two porters, and several maids and the landlady, were all loitering by accident at various points of the road between the Concord and the coffee-room, when a gentleman of sixty, formally dressed in a brown suit of clothes, pretty well worn, but very well kept, with large square cuffs and large flaps to the pockets, passed along on his way to his breakfast.

    The coffee-room had no other occupant, that forenoon, than the gentleman in brown. His breakfast-table was drawn before the fire, and as he sat, with its light shining on him, waiting for the meal, he sat so still, that he might have been sitting for his portrait.

    Very orderly and methodical he looked, with a hand on each knee, and a loud watch ticking a sonorous sermon under his flapped waist-coat, as though it pitted its gravity and longevity against the levity and evanescence of the brisk fire. He had a good leg, and was a little vain of it, for his brown stockings fitted sleek and close, and were of a fine texture; his shoes and buckles, too, though plain, were trim. He wore an odd little sleek crisp flaxen wig, setting very close to his head: which wig, it is to be presumed, was made of hair, but which looked far more as though it were spun from filaments of silk or glass. His linen, though not of a fineness in accordance with his stockings, was as white as the tops of the waves that broke upon the neighbouring beach, or the specks of sail that glinted in the sunlight far at sea. A face habitually suppressed and quieted, was still lighted up under the quaint wig by a pair of moist bright eyes that it must have cost their owner, in years gone by, some pains to drill to the composed and reserved expression of Tellson’s Bank. He had a healthy colour in his cheeks, and his face, though lined, bore few traces of anxiety. But, perhaps the confidential bachelor clerks in Tellson’s Bank were principally occupied with the cares of other people; and perhaps second-hand cares, like second-hand clothes, come easily off and on.

    Completing his resemblance to a man who was sitting for his portrait, Mr. Lorry dropped off to sleep. The arrival of his breakfast roused him, and he said to the drawer, as he moved his chair to it:

    “I wish accommodation prepared for a young lady who may come here at any time to-day. She may ask for Mr. Jarvis Lorry, or she may only ask for a gentleman from Tellson’s Bank. Please to let me know.”

    “Yes, sir. Tellson’s Bank in London, sir?”

    “Yes.”

    “Yes, sir. We have oftentimes the honour to entertain your gentlemen in their travelling backwards and forwards betwixt London and Paris, sir. A vast deal of travelling, sir, in Tellson and Company’s House.”

    “Yes. We are quite a French House, as well as an English one.”

    “Yes, sir. Not much in the habit of such travelling yourself, I think, sir?”

    “Not of late years. It is fifteen years since we—since I—came last from France.”

    “Indeed, sir? That was before my time here, sir. Before our people’s time here, sir. The George was in other hands at that time, sir.”

    “I believe so.”

    “But I would hold a pretty wager, sir, that a House like Tellson and Company was flourishing, a matter of fifty, not to speak of fifteen years ago?”

    “You might treble that, and say a hundred and fifty, yet not be far from the truth.”

    “Indeed, sir!”

    Rounding his mouth and both his eyes, as he stepped backward from the table, the waiter shifted his napkin from his right arm to his left, dropped into a comfortable attitude, and stood surveying the guest while he ate and drank, as from an observatory or watchtower. According to the immemorial usage of waiters in all ages.

    When Mr. Lorry had finished his breakfast, he went out for a stroll on the beach. The little narrow, crooked town of Dover hid itself away from the beach, and ran its head into the chalk cliffs, like a marine ostrich. The beach was a desert of heaps of sea and stones tumbling wildly about, and the sea did what it liked, and what it liked was destruction. It thundered at the town, and thundered at the cliffs, and brought the coast down, madly. The air among the houses was of so strong a piscatory flavour that one might have supposed sick fish went up to be dipped in it, as sick people went down to be dipped in the sea. A little fishing was done in the port, and a quantity of strolling about by night, and looking seaward: particularly at those times when the tide made, and was near flood. Small tradesmen, who did no business whatever, sometimes unaccountably realised large fortunes, and it was remarkable that nobody in the neighbourhood could endure a lamplighter.

    As the day declined into the afternoon, and the air, which had been at intervals clear enough to allow the French coast to be seen, became again charged with mist and vapour, Mr. Lorry’s thoughts seemed to cloud too. When it was dark, and he sat before the coffee-room fire, awaiting his dinner as he had awaited his breakfast, his mind was busily digging, digging, digging, in the live red coals.

    A bottle of good claret after dinner does a digger in the red coals no harm, otherwise than as it has a tendency to throw him out of work. Mr. Lorry had been idle a long time, and had just poured out his last glassful of wine with as complete an appearance of satisfaction as is ever to be found in an elderly gentleman of a fresh complexion who has got to the end of a bottle, when a rattling of wheels came up the narrow street, and rumbled into the inn-yard.

    He set down his glass untouched. “This is Mam’selle!” said he.

    In a very few minutes the waiter came in to announce that Miss Manette had arrived from London, and would be happy to see the gentleman from Tellson’s.

    “So soon?”

    Miss Manette had taken some refreshment on the road, and required none then, and was extremely anxious to see the gentleman from Tellson’s immediately, if it suited his pleasure and convenience.

    The gentleman from Tellson’s had nothing left for it but to empty his glass with an air of stolid desperation, settle his odd little flaxen wig at the ears, and follow the waiter to Miss Manette’s apartment. It was a large, dark room, furnished in a funereal manner with black horsehair, and loaded with heavy dark tables. These had been oiled and oiled, until the two tall candles on the table in the middle of the room were gloomily reflected on every leaf; as if they were buried, in deep graves of black mahogany, and no light to speak of could be expected from them until they were dug out.

    The obscurity was so difficult to penetrate that Mr. Lorry, picking his way over the well-worn Turkey carpet, supposed Miss Manette to be, for the moment, in some adjacent room, until, having got past the two tall candles, he saw standing to receive him by the table between them and the fire, a young lady of not more than seventeen, in a riding-cloak, and still holding her straw travelling-hat by its ribbon in her hand. As his eyes rested on a short, slight, pretty figure, a quantity of golden hair, a pair of blue eyes that met his own with an inquiring look, and a forehead with a singular capacity (remembering how young and smooth it was), of rifting and knitting itself into an expression that was not quite one of perplexity, or wonder, or alarm, or merely of a bright fixed attention, though it included all the four expressions—as his eyes rested on these things, a sudden vivid likeness passed before him, of a child whom he had held in his arms on the passage across that very Channel, one cold time, when the hail drifted heavily and the sea ran high. The likeness passed away, like a breath along the surface of the gaunt pier-glass behind her, on the frame of which, a hospital procession of negro cupids, several headless and all cripples, were offering black baskets of Dead Sea fruit to black divinities of the feminine gender—and he made his formal bow to Miss Manette.

    “Pray take a seat, sir.” In a very clear and pleasant young voice; a little foreign in its accent, but a very little indeed.

    “I kiss your hand, miss,” said Mr. Lorry, with the manners of an earlier date, as he made his formal bow again, and took his seat.

    “I received a letter from the Bank, sir, yesterday, informing me that some intelligence—or discovery—”

    “The word is not material, miss; either word will do.”

    “—respecting the small property of my poor father, whom I never saw—so long dead—”

    Mr. Lorry moved in his chair, and cast a troubled look towards the hospital procession of negro cupids. As if they had any help for anybody in their absurd baskets!

    “—rendered it necessary that I should go to Paris, there to communicate with a gentleman of the Bank, so good as to be despatched to Paris for the purpose.”

    “Myself.”

    “As I was prepared to hear, sir.”

    She curtseyed to him (young ladies made curtseys in those days), with a pretty desire to convey to him that she felt how much older and wiser he was than she. He made her another bow.

    “I replied to the Bank, sir, that as it was considered necessary, by those who know, and who are so kind as to advise me, that I should go to France, and that as I am an orphan and have no friend who could go with me, I should esteem it highly if I might be permitted to place myself, during the journey, under that worthy gentleman’s protection. The gentleman had left London, but I think a messenger was sent after him to beg the favour of his waiting for me here.”

    “I was happy,” said Mr. Lorry, “to be entrusted with the charge. I shall be more happy to execute it.”

    “Sir, I thank you indeed. I thank you very gratefully. It was told me by the Bank that the gentleman would explain to me the details of the business, and that I must prepare myself to find them of a surprising nature. I have done my best to prepare myself, and I naturally have a strong and eager interest to know what they are.”

    “Naturally,” said Mr. Lorry. “Yes—I—”

    After a pause, he added, again settling the crisp flaxen wig at the ears, “It is very difficult to begin.”

    He did not begin, but, in his indecision, met her glance. The young forehead lifted itself into that singular expression—but it was pretty and characteristic, besides being singular—and she raised her hand, as if with an involuntary action she caught at, or stayed some passing shadow.

    “Are you quite a stranger to me, sir?”

    “Am I not?” Mr. Lorry opened his hands, and extended them outwards with an argumentative smile.

    Between the eyebrows and just over the little feminine nose, the line of which was as delicate and fine as it was possible to be, the expression deepened itself as she took her seat thoughtfully in the chair by which she had hitherto remained standing. He watched her as she mused, and the moment she raised her eyes again, went on:

    “In your adopted country, I presume, I cannot do better than address you as a young English lady, Miss Manette?”

    “If you please, sir.”

    “Miss Manette, I am a man of business. I have a business charge to acquit myself of. In your reception of it, don’t heed me any more than if I was a speaking machine—truly, I am not much else. I will, with your leave, relate to you, miss, the story of one of our customers.”

    “Story!”

    He seemed wilfully to mistake the word she had repeated, when he added, in a hurry, “Yes, customers; in the banking business we usually call our connection our customers. He was a French gentleman; a scientific gentleman; a man of great acquirements—a Doctor.”

    “Not of Beauvais?”

    “Why, yes, of Beauvais. Like Monsieur Manette, your father, the gentleman was of Beauvais. Like Monsieur Manette, your father, the gentleman was of repute in Paris. I had the honour of knowing him there. Our relations were business relations, but confidential. I was at that time in our French House, and had been—oh! twenty years.”

    “At that time—I may ask, at what time, sir?”

    “I speak, miss, of twenty years ago. He married—an English lady—and I was one of the trustees. His affairs, like the affairs of many other French gentlemen and French families, were entirely in Tellson’s hands. In a similar way I am, or I have been, trustee of one kind or other for scores of our customers. These are mere business relations, miss; there is no friendship in them, no particular interest, nothing like sentiment. I have passed from one to another, in the course of my business life, just as I pass from one of our customers to another in the course of my business day; in short, I have no feelings; I am a mere machine. To go on—”

    “But this is my father’s story, sir; and I begin to think”—the curiously roughened forehead was very intent upon him—“that when I was left an orphan through my mother’s surviving my father only two years, it was you who brought me to England. I am almost sure it was you.”

    Mr. Lorry took the hesitating little hand that confidingly advanced to take his, and he put it with some ceremony to his lips. He then conducted the young lady straightway to her chair again, and, holding the chair-back with his left hand, and using his right by turns to rub his chin, pull his wig at the ears, or point what he said, stood looking down into her face while she sat looking up into his.

    “Miss Manette, it was I. And you will see how truly I spoke of myself just now, in saying I had no feelings, and that all the relations I hold with my fellow-creatures are mere business relations, when you reflect that I have never seen you since. No; you have been the ward of Tellson’s House since, and I have been busy with the other business of Tellson’s House since. Feelings! I have no time for them, no chance of them. I pass my whole life, miss, in turning an immense pecuniary Mangle.”

    After this odd description of his daily routine of employment, Mr. Lorry flattened his flaxen wig upon his head with both hands (which was most unnecessary, for nothing could be flatter than its shining surface was before), and resumed his former attitude.

    “So far, miss (as you have remarked), this is the story of your regretted father. Now comes the difference. If your father had not died when he did—Don’t be frightened! How you start!”

    She did, indeed, start. And she caught his wrist with both her hands.

    “Pray,” said Mr. Lorry, in a soothing tone, bringing his left hand from the back of the chair to lay it on the supplicatory fingers that clasped him in so violent a tremble: “pray control your agitation—a matter of business. As I was saying—”

    Her look so discomposed him that he stopped, wandered, and began anew:

    “As I was saying; if Monsieur Manette had not died; if he had suddenly and silently disappeared; if he had been spirited away; if it had not been difficult to guess to what dreadful place, though no art could trace him; if he had an enemy in some compatriot who could exercise a privilege that I in my own time have known the boldest people afraid to speak of in a whisper, across the water there; for instance, the privilege of filling up blank forms for the consignment of any one to the oblivion of a prison for any length of time; if his wife had implored the king, the queen, the court, the clergy, for any tidings of him, and all quite in vain;—then the history of your father would have been the history of this unfortunate gentleman, the Doctor of Beauvais.”

    “I entreat you to tell me more, sir.”

    “I will. I am going to. You can bear it?”

    “I can bear anything but the uncertainty you leave me in at this moment.”

    “You speak collectedly, and you—are collected. That’s good!” (Though his manner was less satisfied than his words.) “A matter of business. Regard it as a matter of business—business that must be done. Now if this doctor’s wife, though a lady of great courage and spirit, had suffered so intensely from this cause before her little child was born—”

    “The little child was a daughter, sir.”

    “A daughter. A-a-matter of business—don’t be distressed. Miss, if the poor lady had suffered so intensely before her little child was born, that she came to the determination of sparing the poor child the inheritance of any part of the agony she had known the pains of, by rearing her in the belief that her father was dead—No, don’t kneel! In Heaven’s name why should you kneel to me!”

    “For the truth. O dear, good, compassionate sir, for the truth!”

    “A—a matter of business. You confuse me, and how can I transact business if I am confused? Let us be clear-headed. If you could kindly mention now, for instance, what nine times ninepence are, or how many shillings in twenty guineas, it would be so encouraging. I should be so much more at my ease about your state of mind.”

    Without directly answering to this appeal, she sat so still when he had very gently raised her, and the hands that had not ceased to clasp his wrists were so much more steady than they had been, that she communicated some reassurance to Mr. Jarvis Lorry.

    “That’s right, that’s right. Courage! Business! You have business before you; useful business. Miss Manette, your mother took this course with you. And when she died—I believe broken-hearted—having never slackened her unavailing search for your father, she left you, at two years old, to grow to be blooming, beautiful, and happy, without the dark cloud upon you of living in uncertainty whether your father soon wore his heart out in prison, or wasted there through many lingering years.”

    As he said the words he looked down, with an admiring pity, on the flowing golden hair; as if he pictured to himself that it might have been already tinged with grey.

    “You know that your parents had no great possession, and that what they had was secured to your mother and to you. There has been no new discovery, of money, or of any other property; but—”

    He felt his wrist held closer, and he stopped. The expression in the forehead, which had so particularly attracted his notice, and which was now immovable, had deepened into one of pain and horror.

    “But he has been—been found. He is alive. Greatly changed, it is too probable; almost a wreck, it is possible; though we will hope the best. Still, alive. Your father has been taken to the house of an old servant in Paris, and we are going there: I, to identify him if I can: you, to restore him to life, love, duty, rest, comfort.”

    A shiver ran through her frame, and from it through his. She said, in a low, distinct, awe-stricken voice, as if she were saying it in a dream,

    “I am going to see his Ghost! It will be his Ghost—not him!”

    Mr. Lorry quietly chafed the hands that held his arm. “There, there, there! See now, see now! The best and the worst are known to you, now. You are well on your way to the poor wronged gentleman, and, with a fair sea voyage, and a fair land journey, you will be soon at his dear side.”

    She repeated in the same tone, sunk to a whisper, “I have been free, I have been happy, yet his Ghost has never haunted me!”

    “Only one thing more,” said Mr. Lorry, laying stress upon it as a wholesome means of enforcing her attention: “he has been found under another name; his own, long forgotten or long concealed. It would be worse than useless now to inquire which; worse than useless to seek to know whether he has been for years overlooked, or always designedly held prisoner. It would be worse than useless now to make any inquiries, because it would be dangerous. Better not to mention the subject, anywhere or in any way, and to remove him—for a while at all events—out of France. Even I, safe as an Englishman, and even Tellson’s, important as they are to French credit, avoid all naming of the matter. I carry about me, not a scrap of writing openly referring to it. This is a secret service altogether. My credentials, entries, and memoranda, are all comprehended in the one line, ‘Recalled to Life;’ which may mean anything. But what is the matter! She doesn’t notice a word! Miss Manette!”

    Perfectly still and silent, and not even fallen back in her chair, she sat under his hand, utterly insensible; with her eyes open and fixed upon him, and with that last expression looking as if it were carved or branded into her forehead. So close was her hold upon his arm, that he feared to detach himself lest he should hurt her; therefore he called out loudly for assistance without moving.

    A wild-looking woman, whom even in his agitation, Mr. Lorry observed to be all of a red colour, and to have red hair, and to be dressed in some extraordinary tight-fitting fashion, and to have on her head a most wonderful bonnet like a Grenadier wooden measure, and good measure too, or a great Stilton cheese, came running into the room in advance of the inn servants, and soon settled the question of his detachment from the poor young lady, by laying a brawny hand upon his chest, and sending him flying back against the nearest wall.

    (“I really think this must be a man!” was Mr. Lorry’s breathless reflection, simultaneously with his coming against the wall.)

    “Why, look at you all!” bawled this figure, addressing the inn servants. “Why don’t you go and fetch things, instead of standing there staring at me? I am not so much to look at, am I? Why don’t you go and fetch things? I’ll let you know, if you don’t bring smelling-salts, cold water, and vinegar, quick, I will.”

    There was an immediate dispersal for these restoratives, and she softly laid the patient on a sofa, and tended her with great skill and gentleness: calling her “my precious!” and “my bird!” and spreading her golden hair aside over her shoulders with great pride and care.

    “And you in brown!” she said, indignantly turning to Mr. Lorry; “couldn’t you tell her what you had to tell her, without frightening her to death? Look at her, with her pretty pale face and her cold hands. Do you call that being a Banker?”

    Mr. Lorry was so exceedingly disconcerted by a question so hard to answer, that he could only look on, at a distance, with much feebler sympathy and humility, while the strong woman, having banished the inn servants under the mysterious penalty of “letting them know” something not mentioned if they stayed there, staring, recovered her charge by a regular series of gradations, and coaxed her to lay her drooping head upon her shoulder.

    “I hope she will do well now,” said Mr. Lorry.

    “No thanks to you in brown, if she does. My darling pretty!”

    “I hope,” said Mr. Lorry, after another pause of feeble sympathy and humility, “that you accompany Miss Manette to France?”

    “A likely thing, too!” replied the strong woman. “If it was ever intended that I should go across salt water, do you suppose Providence would have cast my lot in an island?”

    This being another question hard to answer, Mr. Jarvis Lorry withdrew to consider it.

    http://www.gutenberg.org/ebooks/98

  • The Night Shadows

    The following is an excerpt of original content distributed from the Project Gutenberg website.

    A wonderful fact to reflect upon, that every human creature is constituted to be that profound secret and mystery to every other. A solemn consideration, when I enter a great city by night, that every one of those darkly clustered houses encloses its own secret; that every room in every one of them encloses its own secret; that every beating heart in the hundreds of thousands of breasts there, is, in some of its imaginings, a secret to the heart nearest it! Something of the awfulness, even of Death itself, is referable to this. No more can I turn the leaves of this dear book that I loved, and vainly hope in time to read it all. No more can I look into the depths of this unfathomable water, wherein, as momentary lights glanced into it, I have had glimpses of buried treasure and other things submerged. It was appointed that the book should shut with a spring, for ever and for ever, when I had read but a page. It was appointed that the water should be locked in an eternal frost, when the light was playing on its surface, and I stood in ignorance on the shore. My friend is dead, my neighbour is dead, my love, the darling of my soul, is dead; it is the inexorable consolidation and perpetuation of the secret that was always in that individuality, and which I shall carry in mine to my life’s end. In any of the burial-places of this city through which I pass, is there a sleeper more inscrutable than its busy inhabitants are, in their innermost personality, to me, or than I am to them?

    As to this, his natural and not to be alienated inheritance, the messenger on horseback had exactly the same possessions as the King, the first Minister of State, or the richest merchant in London. So with the three passengers shut up in the narrow compass of one lumbering old mail coach; they were mysteries to one another, as complete as if each had been in his own coach and six, or his own coach and sixty, with the breadth of a county between him and the next.

    The messenger rode back at an easy trot, stopping pretty often at ale-houses by the way to drink, but evincing a tendency to keep his own counsel, and to keep his hat cocked over his eyes. He had eyes that assorted very well with that decoration, being of a surface black, with no depth in the colour or form, and much too near together—as if they were afraid of being found out in something, singly, if they kept too far apart. They had a sinister expression, under an old cocked-hat like a three-cornered spittoon, and over a great muffler for the chin and throat, which descended nearly to the wearer’s knees. When he stopped for drink, he moved this muffler with his left hand, only while he poured his liquor in with his right; as soon as that was done, he muffled again.

    “No, Jerry, no!” said the messenger, harping on one theme as he rode. “It wouldn’t do for you, Jerry. Jerry, you honest tradesman, it wouldn’t suit your line of business! Recalled—! Bust me if I don’t think he’d been a drinking!”

    His message perplexed his mind to that degree that he was fain, several times, to take off his hat to scratch his head. Except on the crown, which was raggedly bald, he had stiff, black hair, standing jaggedly all over it, and growing down hill almost to his broad, blunt nose. It was so like Smith’s work, so much more like the top of a strongly spiked wall than a head of hair, that the best of players at leap-frog might have declined him, as the most dangerous man in the world to go over.

    While he trotted back with the message he was to deliver to the night watchman in his box at the door of Tellson’s Bank, by Temple Bar, who was to deliver it to greater authorities within, the shadows of the night took such shapes to him as arose out of the message, and took such shapes to the mare as arose out of her private topics of uneasiness. They seemed to be numerous, for she shied at every shadow on the road.

    What time, the mail-coach lumbered, jolted, rattled, and bumped upon its tedious way, with its three fellow-inscrutables inside. To whom, likewise, the shadows of the night revealed themselves, in the forms their dozing eyes and wandering thoughts suggested.

    Tellson’s Bank had a run upon it in the mail. As the bank passenger—with an arm drawn through the leathern strap, which did what lay in it to keep him from pounding against the next passenger, and driving him into his corner, whenever the coach got a special jolt—nodded in his place, with half-shut eyes, the little coach-windows, and the coach-lamp dimly gleaming through them, and the bulky bundle of opposite passenger, became the bank, and did a great stroke of business. The rattle of the harness was the chink of money, and more drafts were honoured in five minutes than even Tellson’s, with all its foreign and home connection, ever paid in thrice the time. Then the strong-rooms underground, at Tellson’s, with such of their valuable stores and secrets as were known to the passenger (and it was not a little that he knew about them), opened before him, and he went in among them with the great keys and the feebly-burning candle, and found them safe, and strong, and sound, and still, just as he had last seen them.

    But, though the bank was almost always with him, and though the coach (in a confused way, like the presence of pain under an opiate) was always with him, there was another current of impression that never ceased to run, all through the night. He was on his way to dig some one out of a grave.

    Now, which of the multitude of faces that showed themselves before him was the true face of the buried person, the shadows of the night did not indicate; but they were all the faces of a man of five-and-forty by years, and they differed principally in the passions they expressed, and in the ghastliness of their worn and wasted state. Pride, contempt, defiance, stubbornness, submission, lamentation, succeeded one another; so did varieties of sunken cheek, cadaverous colour, emaciated hands and figures. But the face was in the main one face, and every head was prematurely white. A hundred times the dozing passenger inquired of this spectre:

    “Buried how long?”

    The answer was always the same: “Almost eighteen years.”

    “You had abandoned all hope of being dug out?”

    “Long ago.”

    “You know that you are recalled to life?”

    “They tell me so.”

    “I hope you care to live?”

    “I can’t say.”

    “Shall I show her to you? Will you come and see her?”

    The answers to this question were various and contradictory. Sometimes the broken reply was, “Wait! It would kill me if I saw her too soon.” Sometimes, it was given in a tender rain of tears, and then it was, “Take me to her.” Sometimes it was staring and bewildered, and then it was, “I don’t know her. I don’t understand.”

    After such imaginary discourse, the passenger in his fancy would dig, and dig, dig—now with a spade, now with a great key, now with his hands—to dig this wretched creature out. Got out at last, with earth hanging about his face and hair, he would suddenly fan away to dust. The passenger would then start to himself, and lower the window, to get the reality of mist and rain on his cheek.

    Yet even when his eyes were opened on the mist and rain, on the moving patch of light from the lamps, and the hedge at the roadside retreating by jerks, the night shadows outside the coach would fall into the train of the night shadows within. The real Banking-house by Temple Bar, the real business of the past day, the real strong rooms, the real express sent after him, and the real message returned, would all be there. Out of the midst of them, the ghostly face would rise, and he would accost it again.

    “Buried how long?”

    “Almost eighteen years.”

    “I hope you care to live?”

    “I can’t say.”

    Dig—dig—dig—until an impatient movement from one of the two passengers would admonish him to pull up the window, draw his arm securely through the leathern strap, and speculate upon the two slumbering forms, until his mind lost its hold of them, and they again slid away into the bank and the grave.

    “Buried how long?”

    “Almost eighteen years.”

    “You had abandoned all hope of being dug out?”

    “Long ago.”

    The words were still in his hearing as just spoken—distinctly in his hearing as ever spoken words had been in his life—when the weary passenger started to the consciousness of daylight, and found that the shadows of the night were gone.

    He lowered the window, and looked out at the rising sun. There was a ridge of ploughed land, with a plough upon it where it had been left last night when the horses were unyoked; beyond, a quiet coppice-wood, in which many leaves of burning red and golden yellow still remained upon the trees. Though the earth was cold and wet, the sky was clear, and the sun rose bright, placid, and beautiful.

    “Eighteen years!” said the passenger, looking at the sun. “Gracious Creator of day! To be buried alive for eighteen years!”

    http://www.gutenberg.org/ebooks/98

  • The Mail

    The following is an excerpt of original content distributed from the Project Gutenberg website.

    It was the Dover road that lay, on a Friday night late in November, before the first of the persons with whom this history has business. The Dover road lay, as to him, beyond the Dover mail, as it lumbered up Shooter’s Hill. He walked up hill in the mire by the side of the mail, as the rest of the passengers did; not because they had the least relish for walking exercise, under the circumstances, but because the hill, and the harness, and the mud, and the mail, were all so heavy, that the horses had three times already come to a stop, besides once drawing the coach across the road, with the mutinous intent of taking it back to Blackheath. Reins and whip and coachman and guard, however, in combination, had read that article of war which forbade a purpose otherwise strongly in favour of the argument, that some brute animals are endued with Reason; and the team had capitulated and returned to their duty.

    With drooping heads and tremulous tails, they mashed their way through the thick mud, floundering and stumbling between whiles, as if they were falling to pieces at the larger joints. As often as the driver rested them and brought them to a stand, with a wary “Wo-ho! so-ho-then!” the near leader violently shook his head and everything upon it—like an unusually emphatic horse, denying that the coach could be got up the hill. Whenever the leader made this rattle, the passenger started, as a nervous passenger might, and was disturbed in mind.

    There was a steaming mist in all the hollows, and it had roamed in its forlornness up the hill, like an evil spirit, seeking rest and finding none. A clammy and intensely cold mist, it made its slow way through the air in ripples that visibly followed and overspread one another, as the waves of an unwholesome sea might do. It was dense enough to shut out everything from the light of the coach-lamps but these its own workings, and a few yards of road; and the reek of the labouring horses steamed into it, as if they had made it all.

    Two other passengers, besides the one, were plodding up the hill by the side of the mail. All three were wrapped to the cheekbones and over the ears, and wore jack-boots. Not one of the three could have said, from anything he saw, what either of the other two was like; and each was hidden under almost as many wrappers from the eyes of the mind, as from the eyes of the body, of his two companions. In those days, travellers were very shy of being confidential on a short notice, for anybody on the road might be a robber or in league with robbers. As to the latter, when every posting-house and ale-house could produce somebody in “the Captain’s” pay, ranging from the landlord to the lowest stable non-descript, it was the likeliest thing upon the cards. So the guard of the Dover mail thought to himself, that Friday night in November, one thousand seven hundred and seventy-five, lumbering up Shooter’s Hill, as he stood on his own particular perch behind the mail, beating his feet, and keeping an eye and a hand on the arm-chest before him, where a loaded blunderbuss lay at the top of six or eight loaded horse-pistols, deposited on a substratum of cutlass.

    The Dover mail was in its usual genial position that the guard suspected the passengers, the passengers suspected one another and the guard, they all suspected everybody else, and the coachman was sure of nothing but the horses; as to which cattle he could with a clear conscience have taken his oath on the two Testaments that they were not fit for the journey.

    “Wo-ho!” said the coachman. “So, then! One more pull and you’re at the top and be damned to you, for I have had trouble enough to get you to it!—Joe!”

    “Halloa!” the guard replied.

    “What o’clock do you make it, Joe?”

    “Ten minutes, good, past eleven.”

    “My blood!” ejaculated the vexed coachman, “and not atop of Shooter’s yet! Tst! Yah! Get on with you!”

    The emphatic horse, cut short by the whip in a most decided negative, made a decided scramble for it, and the three other horses followed suit. Once more, the Dover mail struggled on, with the jack-boots of its passengers squashing along by its side. They had stopped when the coach stopped, and they kept close company with it. If any one of the three had had the hardihood to propose to another to walk on a little ahead into the mist and darkness, he would have put himself in a fair way of getting shot instantly as a highwayman.

    The last burst carried the mail to the summit of the hill. The horses stopped to breathe again, and the guard got down to skid the wheel for the descent, and open the coach-door to let the passengers in.

    “Tst! Joe!” cried the coachman in a warning voice, looking down from his box.

    “What do you say, Tom?”

    They both listened.

    “I say a horse at a canter coming up, Joe.”

    I say a horse at a gallop, Tom,” returned the guard, leaving his hold of the door, and mounting nimbly to his place. “Gentlemen! In the king’s name, all of you!”

    With this hurried adjuration, he cocked his blunderbuss, and stood on the offensive.

    The passenger booked by this history, was on the coach-step, getting in; the two other passengers were close behind him, and about to follow. He remained on the step, half in the coach and half out of; they remained in the road below him. They all looked from the coachman to the guard, and from the guard to the coachman, and listened. The coachman looked back and the guard looked back, and even the emphatic leader pricked up his ears and looked back, without contradicting.

    The stillness consequent on the cessation of the rumbling and labouring of the coach, added to the stillness of the night, made it very quiet indeed. The panting of the horses communicated a tremulous motion to the coach, as if it were in a state of agitation. The hearts of the passengers beat loud enough perhaps to be heard; but at any rate, the quiet pause was audibly expressive of people out of breath, and holding the breath, and having the pulses quickened by expectation.

    The sound of a horse at a gallop came fast and furiously up the hill.

    “So-ho!” the guard sang out, as loud as he could roar. “Yo there! Stand! I shall fire!”

    The pace was suddenly checked, and, with much splashing and floundering, a man’s voice called from the mist, “Is that the Dover mail?”

    “Never you mind what it is!” the guard retorted. “What are you?”

    Is that the Dover mail?”

    “Why do you want to know?”

    “I want a passenger, if it is.”

    “What passenger?”

    “Mr. Jarvis Lorry.”

    Our booked passenger showed in a moment that it was his name. The guard, the coachman, and the two other passengers eyed him distrustfully.

    “Keep where you are,” the guard called to the voice in the mist, “because, if I should make a mistake, it could never be set right in your lifetime. Gentleman of the name of Lorry answer straight.”

    “What is the matter?” asked the passenger, then, with mildly quavering speech. “Who wants me? Is it Jerry?”

    (“I don’t like Jerry’s voice, if it is Jerry,” growled the guard to himself. “He’s hoarser than suits me, is Jerry.”)

    “Yes, Mr. Lorry.”

    “What is the matter?”

    “A despatch sent after you from over yonder. T. and Co.”

    “I know this messenger, guard,” said Mr. Lorry, getting down into the road—assisted from behind more swiftly than politely by the other two passengers, who immediately scrambled into the coach, shut the door, and pulled up the window. “He may come close; there’s nothing wrong.”

    “I hope there ain’t, but I can’t make so ’Nation sure of that,” said the guard, in gruff soliloquy. “Hallo you!”

    “Well! And hallo you!” said Jerry, more hoarsely than before.

    0414m

    Original

    “Come on at a footpace! d’ye mind me? And if you’ve got holsters to that saddle o’ yourn, don’t let me see your hand go nigh ’em. For I’m a devil at a quick mistake, and when I make one it takes the form of Lead. So now let’s look at you.”

    The figures of a horse and rider came slowly through the eddying mist, and came to the side of the mail, where the passenger stood. The rider stooped, and, casting up his eyes at the guard, handed the passenger a small folded paper. The rider’s horse was blown, and both horse and rider were covered with mud, from the hoofs of the horse to the hat of the man.

    “Guard!” said the passenger, in a tone of quiet business confidence.

    The watchful guard, with his right hand at the stock of his raised blunderbuss, his left at the barrel, and his eye on the horseman, answered curtly, “Sir.”

    “There is nothing to apprehend. I belong to Tellson’s Bank. You must know Tellson’s Bank in London. I am going to Paris on business. A crown to drink. I may read this?”

    “If so be as you’re quick, sir.”

    He opened it in the light of the coach-lamp on that side, and read—first to himself and then aloud: “‘Wait at Dover for Mam’selle.’ It’s not long, you see, guard. Jerry, say that my answer was, Recalled to life.”

    Jerry started in his saddle. “That’s a Blazing strange answer, too,” said he, at his hoarsest.

    “Take that message back, and they will know that I received this, as well as if I wrote. Make the best of your way. Good night.”

    With those words the passenger opened the coach-door and got in; not at all assisted by his fellow-passengers, who had expeditiously secreted their watches and purses in their boots, and were now making a general pretence of being asleep. With no more definite purpose than to escape the hazard of originating any other kind of action.

    The coach lumbered on again, with heavier wreaths of mist closing round it as it began the descent. The guard soon replaced his blunderbuss in his arm-chest, and, having looked to the rest of its contents, and having looked to the supplementary pistols that he wore in his belt, looked to a smaller chest beneath his seat, in which there were a few smith’s tools, a couple of torches, and a tinder-box. For he was furnished with that completeness that if the coach-lamps had been blown and stormed out, which did occasionally happen, he had only to shut himself up inside, keep the flint and steel sparks well off the straw, and get a light with tolerable safety and ease (if he were lucky) in five minutes.

    “Tom!” softly over the coach roof.

    “Hallo, Joe.”

    “Did you hear the message?”

    “I did, Joe.”

    “What did you make of it, Tom?”

    “Nothing at all, Joe.”

    “That’s a coincidence, too,” the guard mused, “for I made the same of it myself.”

    Jerry, left alone in the mist and darkness, dismounted meanwhile, not only to ease his spent horse, but to wipe the mud from his face, and shake the wet out of his hat-brim, which might be capable of holding about half a gallon. After standing with the bridle over his heavily-splashed arm, until the wheels of the mail were no longer within hearing and the night was quite still again, he turned to walk down the hill.

    “After that there gallop from Temple Bar, old lady, I won’t trust your fore-legs till I get you on the level,” said this hoarse messenger, glancing at his mare. “‘Recalled to life.’ That’s a Blazing strange message. Much of that wouldn’t do for you, Jerry! I say, Jerry! You’d be in a Blazing bad way, if recalling to life was to come into fashion, Jerry!”

    http://www.gutenberg.org/ebooks/98

  • The Period

    The following is an excerpt of original content distributed from the Project Gutenberg website.

    It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair, we had everything before us, we had nothing before us, we were all going direct to Heaven, we were all going direct the other way—in short, the period was so far like the present period, that some of its noisiest authorities insisted on its being received, for good or for evil, in the superlative degree of comparison only.

    There were a king with a large jaw and a queen with a plain face, on the throne of England; there were a king with a large jaw and a queen with a fair face, on the throne of France. In both countries it was clearer than crystal to the lords of the State preserves of loaves and fishes, that things in general were settled for ever.

    It was the year of Our Lord one thousand seven hundred and seventy-five. Spiritual revelations were conceded to England at that favoured period, as at this. Mrs. Southcott had recently attained her five-and-twentieth blessed birthday, of whom a prophetic private in the Life Guards had heralded the sublime appearance by announcing that arrangements were made for the swallowing up of London and Westminster. Even the Cock-lane ghost had been laid only a round dozen of years, after rapping out its messages, as the spirits of this very year last past (supernaturally deficient in originality) rapped out theirs. Mere messages in the earthly order of events had lately come to the English Crown and People, from a congress of British subjects in America: which, strange to relate, have proved more important to the human race than any communications yet received through any of the chickens of the Cock-lane brood.

    France, less favoured on the whole as to matters spiritual than her sister of the shield and trident, rolled with exceeding smoothness down hill, making paper money and spending it. Under the guidance of her Christian pastors, she entertained herself, besides, with such humane achievements as sentencing a youth to have his hands cut off, his tongue torn out with pincers, and his body burned alive, because he had not kneeled down in the rain to do honour to a dirty procession of monks which passed within his view, at a distance of some fifty or sixty yards. It is likely enough that, rooted in the woods of France and Norway, there were growing trees, when that sufferer was put to death, already marked by the Woodman, Fate, to come down and be sawn into boards, to make a certain movable framework with a sack and a knife in it, terrible in history. It is likely enough that in the rough outhouses of some tillers of the heavy lands adjacent to Paris, there were sheltered from the weather that very day, rude carts, bespattered with rustic mire, snuffed about by pigs, and roosted in by poultry, which the Farmer, Death, had already set apart to be his tumbrils of the Revolution. But that Woodman and that Farmer, though they work unceasingly, work silently, and no one heard them as they went about with muffled tread: the rather, forasmuch as to entertain any suspicion that they were awake, was to be atheistical and traitorous.

    In England, there was scarcely an amount of order and protection to justify much national boasting. Daring burglaries by armed men, and highway robberies, took place in the capital itself every night; families were publicly cautioned not to go out of town without removing their furniture to upholsterers’ warehouses for security; the highwayman in the dark was a City tradesman in the light, and, being recognised and challenged by his fellow-tradesman whom he stopped in his character of “the Captain,” gallantly shot him through the head and rode away; the mail was waylaid by seven robbers, and the guard shot three dead, and then got shot dead himself by the other four, “in consequence of the failure of his ammunition:” after which the mail was robbed in peace; that magnificent potentate, the Lord Mayor of London, was made to stand and deliver on Turnham Green, by one highwayman, who despoiled the illustrious creature in sight of all his retinue; prisoners in London gaols fought battles with their turnkeys, and the majesty of the law fired blunderbusses in among them, loaded with rounds of shot and ball; thieves snipped off diamond crosses from the necks of noble lords at Court drawing-rooms; musketeers went into St. Giles’s, to search for contraband goods, and the mob fired on the musketeers, and the musketeers fired on the mob, and nobody thought any of these occurrences much out of the common way. In the midst of them, the hangman, ever busy and ever worse than useless, was in constant requisition; now, stringing up long rows of miscellaneous criminals; now, hanging a housebreaker on Saturday who had been taken on Tuesday; now, burning people in the hand at Newgate by the dozen, and now burning pamphlets at the door of Westminster Hall; to-day, taking the life of an atrocious murderer, and to-morrow of a wretched pilferer who had robbed a farmer’s boy of sixpence.

    All these things, and a thousand like them, came to pass in and close upon the dear old year one thousand seven hundred and seventy-five. Environed by them, while the Woodman and the Farmer worked unheeded, those two of the large jaws, and those other two of the plain and the fair faces, trod with stir enough, and carried their divine rights with a high hand. Thus did the year one thousand seven hundred and seventy-five conduct their Greatnesses, and myriads of small creatures—the creatures of this chronicle among the rest—along the roads that lay before them.

    http://www.gutenberg.org/ebooks/98

  • Alice’s Evidence

    The following is an excerpt of original content distributed from the Project Gutenberg website.

    “Here!” cried Alice, quite forgetting in the flurry of the moment how large she had grown in the last few minutes, and she jumped up in such a hurry that she tipped over the jury-box with the edge of her skirt, upsetting all the jurymen on to the heads of the crowd below, and there they lay sprawling about, reminding her very much of a globe of goldfish she had accidentally upset the week before.

    “Oh, I beg your pardon!” she exclaimed in a tone of great dismay, and began picking them up again as quickly as she could, for the accident of the goldfish kept running in her head, and she had a vague sort of idea that they must be collected at once and put back into the jury-box, or they would die.

    “The trial cannot proceed,” said the King in a very grave voice, “until all the jurymen are back in their proper places—all,” he repeated with great emphasis, looking hard at Alice as he said so.

    Alice looked at the jury-box, and saw that, in her haste, she had put the Lizard in head downwards, and the poor little thing was waving its tail about in a melancholy way, being quite unable to move. She soon got it out again, and put it right; “not that it signifies much,” she said to herself; “I should think it would be quite as much use in the trial one way up as the other.”

    As soon as the jury had a little recovered from the shock of being upset, and their slates and pencils had been found and handed back to them, they set to work very diligently to write out a history of the accident, all except the Lizard, who seemed too much overcome to do anything but sit with its mouth open, gazing up into the roof of the court.

    “What do you know about this business?” the King said to Alice.

    “Nothing,” said Alice.

    “Nothing whatever?” persisted the King.

    “Nothing whatever,” said Alice.

    “That’s very important,” the King said, turning to the jury. They were just beginning to write this down on their slates, when the White Rabbit interrupted: “Unimportant, your Majesty means, of course,” he said in a very respectful tone, but frowning and making faces at him as he spoke.

    Unimportant, of course, I meant,” the King hastily said, and went on to himself in an undertone,

    “important—unimportant—unimportant—important—” as if he were trying which word sounded best.

    Some of the jury wrote it down “important,” and some “unimportant.” Alice could see this, as she was near enough to look over their slates; “but it doesn’t matter a bit,” she thought to herself.

    At this moment the King, who had been for some time busily writing in his note-book, cackled out “Silence!” and read out from his book, “Rule Forty-two. All persons more than a mile high to leave the court.”

    Everybody looked at Alice.

    I’m not a mile high,” said Alice.

    “You are,” said the King.

    “Nearly two miles high,” added the Queen.

    “Well, I shan’t go, at any rate,” said Alice: “besides, that’s not a regular rule: you invented it just now.”

    “It’s the oldest rule in the book,” said the King.

    “Then it ought to be Number One,” said Alice.

    The King turned pale, and shut his note-book hastily. “Consider your verdict,” he said to the jury, in a low, trembling voice.

    “There’s more evidence to come yet, please your Majesty,” said the White Rabbit, jumping up in a great hurry; “this paper has just been picked up.”

    “What’s in it?” said the Queen.

    “I haven’t opened it yet,” said the White Rabbit, “but it seems to be a letter, written by the prisoner to—to somebody.”

    “It must have been that,” said the King, “unless it was written to nobody, which isn’t usual, you know.”

    “Who is it directed to?” said one of the jurymen.

    “It isn’t directed at all,” said the White Rabbit; “in fact, there’s nothing written on the outside.” He unfolded the paper as he spoke, and added “It isn’t a letter, after all: it’s a set of verses.”

    “Are they in the prisoner’s handwriting?” asked another of the jurymen.

    “No, they’re not,” said the White Rabbit, “and that’s the queerest thing about it.” (The jury all looked puzzled.)

    “He must have imitated somebody else’s hand,” said the King. (The jury all brightened up again.)

    “Please your Majesty,” said the Knave, “I didn’t write it, and they can’t prove I did: there’s no name signed at the end.”

    “If you didn’t sign it,” said the King, “that only makes the matter worse. You must have meant some mischief, or else you’d have signed your name like an honest man.”

    There was a general clapping of hands at this: it was the first really clever thing the King had said that day.

    “That proves his guilt,” said the Queen.

    “It proves nothing of the sort!” said Alice. “Why, you don’t even know what they’re about!”

    “Read them,” said the King.

    The White Rabbit put on his spectacles. “Where shall I begin, please your Majesty?” he asked.

    “Begin at the beginning,” the King said gravely, “and go on till you come to the end: then stop.”

    These were the verses the White Rabbit read:—

    “They told me you had been to her,
        And mentioned me to him:
    She gave me a good character,
        But said I could not swim.

    He sent them word I had not gone
        (We know it to be true):
    If she should push the matter on,
        What would become of you?

    I gave her one, they gave him two,
        You gave us three or more;
    They all returned from him to you,
        Though they were mine before.

    If I or she should chance to be
        Involved in this affair,
    He trusts to you to set them free,
        Exactly as we were.

    My notion was that you had been
        (Before she had this fit)
    An obstacle that came between
        Him, and ourselves, and it.

    Don’t let him know she liked them best,
        For this must ever be
    A secret, kept from all the rest,
        Between yourself and me.”

    “That’s the most important piece of evidence we’ve heard yet,” said the King, rubbing his hands; “so now let the jury—”

    “If any one of them can explain it,” said Alice, (she had grown so large in the last few minutes that she wasn’t a bit afraid of interrupting him), “I’ll give him sixpence. I don’t believe there’s an atom of meaning in it.”

    The jury all wrote down on their slates, “She doesn’t believe there’s an atom of meaning in it,” but none of them attempted to explain the paper.

    “If there’s no meaning in it,” said the King, “that saves a world of trouble, you know, as we needn’t try to find any. And yet I don’t know,” he went on, spreading out the verses on his knee, and looking at them with one eye; “I seem to see some meaning in them, after all. “—said I could not swim—” you can’t swim, can you?” he added, turning to the Knave.

    The Knave shook his head sadly. “Do I look like it?” he said. (Which he certainly did not, being made entirely of cardboard.)

    “All right, so far,” said the King, and he went on muttering over the verses to himself: “‘We know it to be true—’ that’s the jury, of course—‘I gave her one, they gave him two—’ why, that must be what he did with the tarts, you know—”

    “But, it goes on ‘they all returned from him to you,’” said Alice.

    “Why, there they are!” said the King triumphantly, pointing to the tarts on the table. “Nothing can be clearer than that. Then again—‘before she had this fit—’ you never had fits, my dear, I think?” he said to the Queen.

    “Never!” said the Queen furiously, throwing an inkstand at the Lizard as she spoke. (The unfortunate little Bill had left off writing on his slate with one finger, as he found it made no mark; but he now hastily began again, using the ink, that was trickling down his face, as long as it lasted.)

    “Then the words don’t fit you,” said the King, looking round the court with a smile. There was a dead silence.

    “It’s a pun!” the King added in an offended tone, and everybody laughed, “Let the jury consider their verdict.” the King said, for about the twentieth time that day.

    “No, no!” said the Queen. “Sentence first—verdict afterwards.”

    “Stuff and nonsense!” said Alice loudly. “The idea of having the sentence first!”

    “Hold your tongue!” said the Queen, turning purple.

    “I won’t!” said Alice.

    “Off with her head!” the Queen shouted at the top of her voice. Nobody moved.

    “Who cares for you?” said Alice, (she had grown to her full size by this time). “You’re nothing but a pack of cards!”

    At this the whole pack rose up into the air, and came flying down upon her: she gave a little scream, half of fright and half of anger, and tried to beat them off, and found herself lying on the bank, with her head in the lap of her sister, who was gently brushing away some dead leaves that had fluttered down from the trees upon her face.

    “Wake up, Alice dear!” said her sister; “Why, what a long sleep you’ve had!”

    “Oh, I’ve had such a curious dream!” said Alice, and she told her sister, as well as she could remember them, all these strange Adventures of hers that you have just been reading about; and when she had finished, her sister kissed her, and said, “It was a curious dream, dear, certainly: but now run in to your tea; it’s getting late.” So Alice got up and ran off, thinking while she ran, as well she might, what a wonderful dream it had been.


    But her sister sat still just as she left her, leaning her head on her hand, watching the setting sun, and thinking of little Alice and all her wonderful Adventures, till she too began dreaming after a fashion, and this was her dream:—

    First, she dreamed of little Alice herself, and once again the tiny hands were clasped upon her knee, and the bright eager eyes were looking up into hers—she could hear the very tones of her voice, and see that queer little toss of her head to keep back the wandering hair that would always get into her eyes—and still as she listened, or seemed to listen, the whole place around her became alive with the strange creatures of her little sister’s dream.

    The long grass rustled at her feet as the White Rabbit hurried by—the frightened Mouse splashed his way through the neighbouring pool—she could hear the rattle of the teacups as the March Hare and his friends shared their never-ending meal, and the shrill voice of the Queen ordering off her unfortunate guests to execution—once more the pig-baby was sneezing on the Duchess’s knee, while plates and dishes crashed around it—once more the shriek of the Gryphon, the squeaking of the Lizard’s slate-pencil, and the choking of the suppressed guinea-pigs, filled the air, mixed up with the distant sobs of the miserable Mock Turtle.

    So she sat on, with closed eyes, and half believed herself in Wonderland, though she knew she had but to open them again, and all would change to dull reality—the grass would be only rustling in the wind, and the pool rippling to the waving of the reeds—the rattling teacups would change to tinkling sheep-bells, and the Queen’s shrill cries to the voice of the shepherd boy—and the sneeze of the baby, the shriek of the Gryphon, and all the other queer noises, would change (she knew) to the confused clamour of the busy farm-yard—while the lowing of the cattle in the distance would take the place of the Mock Turtle’s heavy sobs.

    Lastly, she pictured to herself how this same little sister of hers would, in the after-time, be herself a grown woman; and how she would keep, through all her riper years, the simple and loving heart of her childhood: and how she would gather about her other little children, and make their eyes bright and eager with many a strange tale, perhaps even with the dream of Wonderland of long ago: and how she would feel with all their simple sorrows, and find a pleasure in all their simple joys, remembering her own child-life, and the happy summer days.

    THE END

    http://www.gutenberg.org/ebooks/11

  • Who Stole the Tarts?

    The following is an excerpt of original content distributed from the Project Gutenberg website.

    The King and Queen of Hearts were seated on their throne when they arrived, with a great crowd assembled about them—all sorts of little birds and beasts, as well as the whole pack of cards: the Knave was standing before them, in chains, with a soldier on each side to guard him; and near the King was the White Rabbit, with a trumpet in one hand, and a scroll of parchment in the other. In the very middle of the court was a table, with a large dish of tarts upon it: they looked so good, that it made Alice quite hungry to look at them—“I wish they’d get the trial done,” she thought, “and hand round the refreshments!” But there seemed to be no chance of this, so she began looking at everything about her, to pass away the time.

    Alice had never been in a court of justice before, but she had read about them in books, and she was quite pleased to find that she knew the name of nearly everything there. “That’s the judge,” she said to herself, “because of his great wig.”

    The judge, by the way, was the King; and as he wore his crown over the wig, (look at the frontispiece if you want to see how he did it,) he did not look at all comfortable, and it was certainly not becoming.

    “And that’s the jury-box,” thought Alice, “and those twelve creatures,” (she was obliged to say “creatures,” you see, because some of them were animals, and some were birds,) “I suppose they are the jurors.” She said this last word two or three times over to herself, being rather proud of it: for she thought, and rightly too, that very few little girls of her age knew the meaning of it at all. However, “jury-men” would have done just as well.

    The twelve jurors were all writing very busily on slates. “What are they doing?” Alice whispered to the Gryphon. “They can’t have anything to put down yet, before the trial’s begun.”

    “They’re putting down their names,” the Gryphon whispered in reply, “for fear they should forget them before the end of the trial.”

    “Stupid things!” Alice began in a loud, indignant voice, but she stopped hastily, for the White Rabbit cried out, “Silence in the court!” and the King put on his spectacles and looked anxiously round, to make out who was talking.

    Alice could see, as well as if she were looking over their shoulders, that all the jurors were writing down “stupid things!” on their slates, and she could even make out that one of them didn’t know how to spell “stupid,” and that he had to ask his neighbour to tell him. “A nice muddle their slates’ll be in before the trial’s over!” thought Alice.

    One of the jurors had a pencil that squeaked. This of course, Alice could not stand, and she went round the court and got behind him, and very soon found an opportunity of taking it away. She did it so quickly that the poor little juror (it was Bill, the Lizard) could not make out at all what had become of it; so, after hunting all about for it, he was obliged to write with one finger for the rest of the day; and this was of very little use, as it left no mark on the slate.

    “Herald, read the accusation!” said the King.

    On this the White Rabbit blew three blasts on the trumpet, and then unrolled the parchment scroll, and read as follows:—

    “The Queen of Hearts, she made some tarts,
        All on a summer day:
    The Knave of Hearts, he stole those tarts,
        And took them quite away!”

    “Consider your verdict,” the King said to the jury.

    “Not yet, not yet!” the Rabbit hastily interrupted. “There’s a great deal to come before that!”

    “Call the first witness,” said the King; and the White Rabbit blew three blasts on the trumpet, and called out, “First witness!”

    The first witness was the Hatter. He came in with a teacup in one hand and a piece of bread-and-butter in the other. “I beg pardon, your Majesty,” he began, “for bringing these in: but I hadn’t quite finished my tea when I was sent for.”

    “You ought to have finished,” said the King. “When did you begin?”

    The Hatter looked at the March Hare, who had followed him into the court, arm-in-arm with the Dormouse. “Fourteenth of March, I think it was,” he said.

    “Fifteenth,” said the March Hare.

    “Sixteenth,” added the Dormouse.

    “Write that down,” the King said to the jury, and the jury eagerly wrote down all three dates on their slates, and then added them up, and reduced the answer to shillings and pence.

    “Take off your hat,” the King said to the Hatter.

    “It isn’t mine,” said the Hatter.

    Stolen!” the King exclaimed, turning to the jury, who instantly made a memorandum of the fact.

    “I keep them to sell,” the Hatter added as an explanation; “I’ve none of my own. I’m a hatter.”

    Here the Queen put on her spectacles, and began staring at the Hatter, who turned pale and fidgeted.

    “Give your evidence,” said the King; “and don’t be nervous, or I’ll have you executed on the spot.”

    This did not seem to encourage the witness at all: he kept shifting from one foot to the other, looking uneasily at the Queen, and in his confusion he bit a large piece out of his teacup instead of the bread-and-butter.

    Just at this moment Alice felt a very curious sensation, which puzzled her a good deal until she made out what it was: she was beginning to grow larger again, and she thought at first she would get up and leave the court; but on second thoughts she decided to remain where she was as long as there was room for her.

    “I wish you wouldn’t squeeze so,” said the Dormouse, who was sitting next to her. “I can hardly breathe.”

    “I can’t help it,” said Alice very meekly: “I’m growing.”

    “You’ve no right to grow here,” said the Dormouse.

    “Don’t talk nonsense,” said Alice more boldly: “you know you’re growing too.”

    “Yes, but I grow at a reasonable pace,” said the Dormouse: “not in that ridiculous fashion.” And he got up very sulkily and crossed over to the other side of the court.

    All this time the Queen had never left off staring at the Hatter, and, just as the Dormouse crossed the court, she said to one of the officers of the court, “Bring me the list of the singers in the last concert!” on which the wretched Hatter trembled so, that he shook both his shoes off.

    “Give your evidence,” the King repeated angrily, “or I’ll have you executed, whether you’re nervous or not.”

    “I’m a poor man, your Majesty,” the Hatter began, in a trembling voice, “—and I hadn’t begun my tea—not above a week or so—and what with the bread-and-butter getting so thin—and the twinkling of the tea—”

    “The twinkling of the what?” said the King.

    “It began with the tea,” the Hatter replied.

    “Of course twinkling begins with a T!” said the King sharply. “Do you take me for a dunce? Go on!”

    “I’m a poor man,” the Hatter went on, “and most things twinkled after that—only the March Hare said—”

    “I didn’t!” the March Hare interrupted in a great hurry.

    “You did!” said the Hatter.

    “I deny it!” said the March Hare.

    “He denies it,” said the King: “leave out that part.”

    “Well, at any rate, the Dormouse said—” the Hatter went on, looking anxiously round to see if he would deny it too: but the Dormouse denied nothing, being fast asleep.

    “After that,” continued the Hatter, “I cut some more bread-and-butter—”

    “But what did the Dormouse say?” one of the jury asked.

    “That I can’t remember,” said the Hatter.

    “You must remember,” remarked the King, “or I’ll have you executed.”

    The miserable Hatter dropped his teacup and bread-and-butter, and went down on one knee. “I’m a poor man, your Majesty,” he began.

    “You’re a very poor speaker,” said the King.

    Here one of the guinea-pigs cheered, and was immediately suppressed by the officers of the court. (As that is rather a hard word, I will just explain to you how it was done. They had a large canvas bag, which tied up at the mouth with strings: into this they slipped the guinea-pig, head first, and then sat upon it.)

    “I’m glad I’ve seen that done,” thought Alice. “I’ve so often read in the newspapers, at the end of trials, “There was some attempt at applause, which was immediately suppressed by the officers of the court,” and I never understood what it meant till now.”

    “If that’s all you know about it, you may stand down,” continued the King.

    “I can’t go no lower,” said the Hatter: “I’m on the floor, as it is.”

    “Then you may sit down,” the King replied.

    Here the other guinea-pig cheered, and was suppressed.

    “Come, that finished the guinea-pigs!” thought Alice. “Now we shall get on better.”

    “I’d rather finish my tea,” said the Hatter, with an anxious look at the Queen, who was reading the list of singers.

    “You may go,” said the King, and the Hatter hurriedly left the court, without even waiting to put his shoes on.

    “—and just take his head off outside,” the Queen added to one of the officers: but the Hatter was out of sight before the officer could get to the door.

    “Call the next witness!” said the King.

    The next witness was the Duchess’s cook. She carried the pepper-box in her hand, and Alice guessed who it was, even before she got into the court, by the way the people near the door began sneezing all at once.

    “Give your evidence,” said the King.

    “Shan’t,” said the cook.

    The King looked anxiously at the White Rabbit, who said in a low voice, “Your Majesty must cross-examine this witness.”

    “Well, if I must, I must,” the King said, with a melancholy air, and, after folding his arms and frowning at the cook till his eyes were nearly out of sight, he said in a deep voice, “What are tarts made of?”

    “Pepper, mostly,” said the cook.

    “Treacle,” said a sleepy voice behind her.

    “Collar that Dormouse,” the Queen shrieked out. “Behead that Dormouse! Turn that Dormouse out of court! Suppress him! Pinch him! Off with his whiskers!”

    For some minutes the whole court was in confusion, getting the Dormouse turned out, and, by the time they had settled down again, the cook had disappeared.

    “Never mind!” said the King, with an air of great relief. “Call the next witness.” And he added in an undertone to the Queen, “Really, my dear, you must cross-examine the next witness. It quite makes my forehead ache!”

    Alice watched the White Rabbit as he fumbled over the list, feeling very curious to see what the next witness would be like, “—for they haven’t got much evidence yet,” she said to herself. Imagine her surprise, when the White Rabbit read out, at the top of his shrill little voice, the name “Alice!”

    http://www.gutenberg.org/ebooks/11

  • The Lobster Quadrille

    The following is an excerpt of original content distributed from the Project Gutenberg website.

    The Mock Turtle sighed deeply, and drew the back of one flapper across his eyes. He looked at Alice, and tried to speak, but for a minute or two sobs choked his voice. “Same as if he had a bone in his throat,” said the Gryphon: and it set to work shaking him and punching him in the back. At last the Mock Turtle recovered his voice, and, with tears running down his cheeks, he went on again:—

    “You may not have lived much under the sea—” (“I haven’t,” said Alice)—“and perhaps you were never even introduced to a lobster—” (Alice began to say “I once tasted—” but checked herself hastily, and said “No, never”) “—so you can have no idea what a delightful thing a Lobster Quadrille is!”

    “No, indeed,” said Alice. “What sort of a dance is it?”

    “Why,” said the Gryphon, “you first form into a line along the sea-shore—”

    “Two lines!” cried the Mock Turtle. “Seals, turtles, salmon, and so on; then, when you’ve cleared all the jelly-fish out of the way—”

    That generally takes some time,” interrupted the Gryphon.

    “—you advance twice—”

    “Each with a lobster as a partner!” cried the Gryphon.

    “Of course,” the Mock Turtle said: “advance twice, set to partners—”

    “—change lobsters, and retire in same order,” continued the Gryphon.

    “Then, you know,” the Mock Turtle went on, “you throw the—”

    “The lobsters!” shouted the Gryphon, with a bound into the air.

    “—as far out to sea as you can—”

    “Swim after them!” screamed the Gryphon.

    “Turn a somersault in the sea!” cried the Mock Turtle, capering wildly about.

    “Change lobsters again!” yelled the Gryphon at the top of its voice.

    “Back to land again, and that’s all the first figure,” said the Mock Turtle, suddenly dropping his voice; and the two creatures, who had been jumping about like mad things all this time, sat down again very sadly and quietly, and looked at Alice.

    “It must be a very pretty dance,” said Alice timidly.

    “Would you like to see a little of it?” said the Mock Turtle.

    “Very much indeed,” said Alice.

    “Come, let’s try the first figure!” said the Mock Turtle to the Gryphon. “We can do without lobsters, you know. Which shall sing?”

    “Oh, you sing,” said the Gryphon. “I’ve forgotten the words.”

    So they began solemnly dancing round and round Alice, every now and then treading on her toes when they passed too close, and waving their forepaws to mark the time, while the Mock Turtle sang this, very slowly and sadly:—

    “Will you walk a little faster?” said a whiting to a snail.
    “There’s a porpoise close behind us, and he’s treading on my tail.
    See how eagerly the lobsters and the turtles all advance!
    They are waiting on the shingle—will you come and join the dance?
    Will you, won’t you, will you, won’t you, will you join the dance?
    Will you, won’t you, will you, won’t you, won’t you join the dance?

    “You can really have no notion how delightful it will be
    When they take us up and throw us, with the lobsters, out to sea!”
    But the snail replied “Too far, too far!” and gave a look askance—
    Said he thanked the whiting kindly, but he would not join the dance.
    Would not, could not, would not, could not, would not join the dance.
    Would not, could not, would not, could not, could not join the dance.

    “What matters it how far we go?” his scaly friend replied.
    “There is another shore, you know, upon the other side.
    The further off from England the nearer is to France—
    Then turn not pale, beloved snail, but come and join the dance.
    Will you, won’t you, will you, won’t you, will you join the dance?
    Will you, won’t you, will you, won’t you, won’t you join the dance?”

    “Thank you, it’s a very interesting dance to watch,” said Alice, feeling very glad that it was over at last: “and I do so like that curious song about the whiting!”

    “Oh, as to the whiting,” said the Mock Turtle, “they—you’ve seen them, of course?”

    “Yes,” said Alice, “I’ve often seen them at dinn—” she checked herself hastily.

    “I don’t know where Dinn may be,” said the Mock Turtle, “but if you’ve seen them so often, of course you know what they’re like.”

    “I believe so,” Alice replied thoughtfully. “They have their tails in their mouths—and they’re all over crumbs.”

    “You’re wrong about the crumbs,” said the Mock Turtle: “crumbs would all wash off in the sea. But they have their tails in their mouths; and the reason is—” here the Mock Turtle yawned and shut his eyes.—“Tell her about the reason and all that,” he said to the Gryphon.

    “The reason is,” said the Gryphon, “that they would go with the lobsters to the dance. So they got thrown out to sea. So they had to fall a long way. So they got their tails fast in their mouths. So they couldn’t get them out again. That’s all.”

    “Thank you,” said Alice, “it’s very interesting. I never knew so much about a whiting before.”

    “I can tell you more than that, if you like,” said the Gryphon. “Do you know why it’s called a whiting?”

    “I never thought about it,” said Alice. “Why?”

    It does the boots and shoes,” the Gryphon replied very solemnly.

    Alice was thoroughly puzzled. “Does the boots and shoes!” she repeated in a wondering tone.

    “Why, what are your shoes done with?” said the Gryphon. “I mean, what makes them so shiny?”

    Alice looked down at them, and considered a little before she gave her answer. “They’re done with blacking, I believe.”

    “Boots and shoes under the sea,” the Gryphon went on in a deep voice, “are done with a whiting. Now you know.”

    “And what are they made of?” Alice asked in a tone of great curiosity.

    “Soles and eels, of course,” the Gryphon replied rather impatiently: “any shrimp could have told you that.”

    “If I’d been the whiting,” said Alice, whose thoughts were still running on the song, “I’d have said to the porpoise, ‘Keep back, please: we don’t want you with us!’”

    “They were obliged to have him with them,” the Mock Turtle said: “no wise fish would go anywhere without a porpoise.”

    “Wouldn’t it really?” said Alice in a tone of great surprise.

    “Of course not,” said the Mock Turtle: “why, if a fish came to me, and told me he was going a journey, I should say ‘With what porpoise?’”

    “Don’t you mean ‘purpose’?” said Alice.

    “I mean what I say,” the Mock Turtle replied in an offended tone. And the Gryphon added “Come, let’s hear some of your adventures.”

    “I could tell you my adventures—beginning from this morning,” said Alice a little timidly: “but it’s no use going back to yesterday, because I was a different person then.”

    “Explain all that,” said the Mock Turtle.

    “No, no! The adventures first,” said the Gryphon in an impatient tone: “explanations take such a dreadful time.”

    So Alice began telling them her adventures from the time when she first saw the White Rabbit. She was a little nervous about it just at first, the two creatures got so close to her, one on each side, and opened their eyes and mouths so very wide, but she gained courage as she went on. Her listeners were perfectly quiet till she got to the part about her repeating “You are old, Father William,” to the Caterpillar, and the words all coming different, and then the Mock Turtle drew a long breath, and said “That’s very curious.”

    “It’s all about as curious as it can be,” said the Gryphon.

    “It all came different!” the Mock Turtle repeated thoughtfully. “I should like to hear her try and repeat something now. Tell her to begin.” He looked at the Gryphon as if he thought it had some kind of authority over Alice.

    “Stand up and repeat ‘’Tis the voice of the sluggard,’” said the Gryphon.

    “How the creatures order one about, and make one repeat lessons!” thought Alice; “I might as well be at school at once.” However, she got up, and began to repeat it, but her head was so full of the Lobster Quadrille, that she hardly knew what she was saying, and the words came very queer indeed:—

    “’Tis the voice of the Lobster; I heard him declare,
    “You have baked me too brown, I must sugar my hair.”
    As a duck with its eyelids, so he with his nose
    Trims his belt and his buttons, and turns out his toes.”

    [later editions continued as follows
    When the sands are all dry, he is gay as a lark,
    And will talk in contemptuous tones of the Shark,
    But, when the tide rises and sharks are around,
    His voice has a timid and tremulous sound.]

    “That’s different from what I used to say when I was a child,” said the Gryphon.

    “Well, I never heard it before,” said the Mock Turtle; “but it sounds uncommon nonsense.”

    Alice said nothing; she had sat down with her face in her hands, wondering if anything would ever happen in a natural way again.

    “I should like to have it explained,” said the Mock Turtle.

    “She can’t explain it,” said the Gryphon hastily. “Go on with the next verse.”

    “But about his toes?” the Mock Turtle persisted. “How could he turn them out with his nose, you know?”

    “It’s the first position in dancing.” Alice said; but was dreadfully puzzled by the whole thing, and longed to change the subject.

    “Go on with the next verse,” the Gryphon repeated impatiently: “it begins ‘I passed by his garden.’”

    Alice did not dare to disobey, though she felt sure it would all come wrong, and she went on in a trembling voice:—

    “I passed by his garden, and marked, with one eye,
    How the Owl and the Panther were sharing a pie—”

    [later editions continued as follows
    The Panther took pie-crust, and gravy, and meat,
    While the Owl had the dish as its share of the treat.
    When the pie was all finished, the Owl, as a boon,
    Was kindly permitted to pocket the spoon:
    While the Panther received knife and fork with a growl,
    And concluded the banquet—]

    “What is the use of repeating all that stuff,” the Mock Turtle interrupted, “if you don’t explain it as you go on? It’s by far the most confusing thing I ever heard!”

    “Yes, I think you’d better leave off,” said the Gryphon: and Alice was only too glad to do so.

    “Shall we try another figure of the Lobster Quadrille?” the Gryphon went on. “Or would you like the Mock Turtle to sing you a song?”

    “Oh, a song, please, if the Mock Turtle would be so kind,” Alice replied, so eagerly that the Gryphon said, in a rather offended tone, “Hm! No accounting for tastes! Sing her ‘Turtle Soup,’ will you, old fellow?”

    The Mock Turtle sighed deeply, and began, in a voice sometimes choked with sobs, to sing this:—

    “Beautiful Soup, so rich and green,
    Waiting in a hot tureen!
    Who for such dainties would not stoop?
    Soup of the evening, beautiful Soup!
    Soup of the evening, beautiful Soup!
        Beau—ootiful Soo—oop!
        Beau—ootiful Soo—oop!
    Soo—oop of the e—e—evening,
        Beautiful, beautiful Soup!

    “Beautiful Soup! Who cares for fish,
    Game, or any other dish?
    Who would not give all else for two p
    ennyworth only of beautiful Soup?
    Pennyworth only of beautiful Soup?
        Beau—ootiful Soo—oop!
        Beau—ootiful Soo—oop!
    Soo—oop of the e—e—evening,
        Beautiful, beauti—FUL SOUP!”

    “Chorus again!” cried the Gryphon, and the Mock Turtle had just begun to repeat it, when a cry of “The trial’s beginning!” was heard in the distance.

    “Come on!” cried the Gryphon, and, taking Alice by the hand, it hurried off, without waiting for the end of the song.

    “What trial is it?” Alice panted as she ran; but the Gryphon only answered “Come on!” and ran the faster, while more and more faintly came, carried on the breeze that followed them, the melancholy words:—

    “Soo—oop of the e—e—evening,
        Beautiful, beautiful Soup!”

    http://www.gutenberg.org/ebooks/11

  • The Mock Turtle’s Story

    The following is an excerpt of original content distributed from the Project Gutenberg website.

    “You can’t think how glad I am to see you again, you dear old thing!” said the Duchess, as she tucked her arm affectionately into Alice’s, and they walked off together.

    Alice was very glad to find her in such a pleasant temper, and thought to herself that perhaps it was only the pepper that had made her so savage when they met in the kitchen.

    “When I’m a Duchess,” she said to herself, (not in a very hopeful tone though), “I won’t have any pepper in my kitchen at all. Soup does very well without—Maybe it’s always pepper that makes people hot-tempered,” she went on, very much pleased at having found out a new kind of rule, “and vinegar that makes them sour—and camomile that makes them bitter—and—and barley-sugar and such things that make children sweet-tempered. I only wish people knew that: then they wouldn’t be so stingy about it, you know—”

    She had quite forgotten the Duchess by this time, and was a little startled when she heard her voice close to her ear. “You’re thinking about something, my dear, and that makes you forget to talk. I can’t tell you just now what the moral of that is, but I shall remember it in a bit.”

    “Perhaps it hasn’t one,” Alice ventured to remark.

    “Tut, tut, child!” said the Duchess. “Everything’s got a moral, if only you can find it.” And she squeezed herself up closer to Alice’s side as she spoke.

    Alice did not much like keeping so close to her: first, because the Duchess was very ugly; and secondly, because she was exactly the right height to rest her chin upon Alice’s shoulder, and it was an uncomfortably sharp chin. However, she did not like to be rude, so she bore it as well as she could.

    “The game’s going on rather better now,” she said, by way of keeping up the conversation a little.

    “’Tis so,” said the Duchess: “and the moral of that is—‘Oh, ’tis love, ’tis love, that makes the world go round!’”

    “Somebody said,” Alice whispered, “that it’s done by everybody minding their own business!”

    “Ah, well! It means much the same thing,” said the Duchess, digging her sharp little chin into Alice’s shoulder as she added, “and the moral of that is—‘Take care of the sense, and the sounds will take care of themselves.’”

    “How fond she is of finding morals in things!” Alice thought to herself.

    “I dare say you’re wondering why I don’t put my arm round your waist,” the Duchess said after a pause: “the reason is, that I’m doubtful about the temper of your flamingo. Shall I try the experiment?”

    “He might bite,” Alice cautiously replied, not feeling at all anxious to have the experiment tried.

    “Very true,” said the Duchess: “flamingoes and mustard both bite. And the moral of that is—‘Birds of a feather flock together.’”

    “Only mustard isn’t a bird,” Alice remarked.

    “Right, as usual,” said the Duchess: “what a clear way you have of putting things!”

    “It’s a mineral, I think,” said Alice.

    “Of course it is,” said the Duchess, who seemed ready to agree to everything that Alice said; “there’s a large mustard-mine near here. And the moral of that is—‘The more there is of mine, the less there is of yours.’”

    “Oh, I know!” exclaimed Alice, who had not attended to this last remark, “it’s a vegetable. It doesn’t look like one, but it is.”

    “I quite agree with you,” said the Duchess; “and the moral of that is—‘Be what you would seem to be’—or if you’d like it put more simply—‘Never imagine yourself not to be otherwise than what it might appear to others that what you were or might have been was not otherwise than what you had been would have appeared to them to be otherwise.’”

    “I think I should understand that better,” Alice said very politely, “if I had it written down: but I can’t quite follow it as you say it.”

    “That’s nothing to what I could say if I chose,” the Duchess replied, in a pleased tone.

    “Pray don’t trouble yourself to say it any longer than that,” said Alice.

    “Oh, don’t talk about trouble!” said the Duchess. “I make you a present of everything I’ve said as yet.”

    “A cheap sort of present!” thought Alice. “I’m glad they don’t give birthday presents like that!” But she did not venture to say it out loud.

    “Thinking again?” the Duchess asked, with another dig of her sharp little chin.

    “I’ve a right to think,” said Alice sharply, for she was beginning to feel a little worried.

    “Just about as much right,” said the Duchess, “as pigs have to fly; and the m—”

    But here, to Alice’s great surprise, the Duchess’s voice died away, even in the middle of her favourite word ‘moral,’ and the arm that was linked into hers began to tremble. Alice looked up, and there stood the Queen in front of them, with her arms folded, frowning like a thunderstorm.

    “A fine day, your Majesty!” the Duchess began in a low, weak voice.

    “Now, I give you fair warning,” shouted the Queen, stamping on the ground as she spoke; “either you or your head must be off, and that in about half no time! Take your choice!”

    The Duchess took her choice, and was gone in a moment.

    “Let’s go on with the game,” the Queen said to Alice; and Alice was too much frightened to say a word, but slowly followed her back to the croquet-ground.

    The other guests had taken advantage of the Queen’s absence, and were resting in the shade: however, the moment they saw her, they hurried back to the game, the Queen merely remarking that a moment’s delay would cost them their lives.

    All the time they were playing the Queen never left off quarrelling with the other players, and shouting “Off with his head!” or “Off with her head!” Those whom she sentenced were taken into custody by the soldiers, who of course had to leave off being arches to do this, so that by the end of half an hour or so there were no arches left, and all the players, except the King, the Queen, and Alice, were in custody and under sentence of execution.

    Then the Queen left off, quite out of breath, and said to Alice, “Have you seen the Mock Turtle yet?”

    “No,” said Alice. “I don’t even know what a Mock Turtle is.”

    “It’s the thing Mock Turtle Soup is made from,” said the Queen.

    “I never saw one, or heard of one,” said Alice.

    “Come on, then,” said the Queen, “and he shall tell you his history.”

    As they walked off together, Alice heard the King say in a low voice, to the company generally, “You are all pardoned.” “Come, that’s a good thing!” she said to herself, for she had felt quite unhappy at the number of executions the Queen had ordered.

    They very soon came upon a Gryphon, lying fast asleep in the sun. (If you don’t know what a Gryphon is, look at the picture.) “Up, lazy thing!” said the Queen, “and take this young lady to see the Mock Turtle, and to hear his history. I must go back and see after some executions I have ordered;” and she walked off, leaving Alice alone with the Gryphon. Alice did not quite like the look of the creature, but on the whole she thought it would be quite as safe to stay with it as to go after that savage Queen: so she waited.

    The Gryphon sat up and rubbed its eyes: then it watched the Queen till she was out of sight: then it chuckled. “What fun!” said the Gryphon, half to itself, half to Alice.

    “What is the fun?” said Alice.

    “Why, she,” said the Gryphon. “It’s all her fancy, that: they never executes nobody, you know. Come on!”

    “Everybody says ‘come on!’ here,” thought Alice, as she went slowly after it: “I never was so ordered about in all my life, never!”

    They had not gone far before they saw the Mock Turtle in the distance, sitting sad and lonely on a little ledge of rock, and, as they came nearer, Alice could hear him sighing as if his heart would break. She pitied him deeply. “What is his sorrow?” she asked the Gryphon, and the Gryphon answered, very nearly in the same words as before, “It’s all his fancy, that: he hasn’t got no sorrow, you know. Come on!”

    So they went up to the Mock Turtle, who looked at them with large eyes full of tears, but said nothing.

    “This here young lady,” said the Gryphon, “she wants for to know your history, she do.”

    “I’ll tell it her,” said the Mock Turtle in a deep, hollow tone: “sit down, both of you, and don’t speak a word till I’ve finished.”

    So they sat down, and nobody spoke for some minutes. Alice thought to herself, “I don’t see how he can ever finish, if he doesn’t begin.” But she waited patiently.

    “Once,” said the Mock Turtle at last, with a deep sigh, “I was a real Turtle.”

    These words were followed by a very long silence, broken only by an occasional exclamation of “Hjckrrh!” from the Gryphon, and the constant heavy sobbing of the Mock Turtle. Alice was very nearly getting up and saying, “Thank you, sir, for your interesting story,” but she could not help thinking there must be more to come, so she sat still and said nothing.

    “When we were little,” the Mock Turtle went on at last, more calmly, though still sobbing a little now and then, “we went to school in the sea. The master was an old Turtle—we used to call him Tortoise—”

    “Why did you call him Tortoise, if he wasn’t one?” Alice asked.

    “We called him Tortoise because he taught us,” said the Mock Turtle angrily: “really you are very dull!”

    “You ought to be ashamed of yourself for asking such a simple question,” added the Gryphon; and then they both sat silent and looked at poor Alice, who felt ready to sink into the earth. At last the Gryphon said to the Mock Turtle, “Drive on, old fellow! Don’t be all day about it!” and he went on in these words:

    “Yes, we went to school in the sea, though you mayn’t believe it—”

    “I never said I didn’t!” interrupted Alice.

    “You did,” said the Mock Turtle.

    “Hold your tongue!” added the Gryphon, before Alice could speak again. The Mock Turtle went on.

    “We had the best of educations—in fact, we went to school every day—”

    I’ve been to a day-school, too,” said Alice; “you needn’t be so proud as all that.”

    “With extras?” asked the Mock Turtle a little anxiously.

    “Yes,” said Alice, “we learned French and music.”

    “And washing?” said the Mock Turtle.

    “Certainly not!” said Alice indignantly.

    “Ah! then yours wasn’t a really good school,” said the Mock Turtle in a tone of great relief. “Now at ours they had at the end of the bill, ‘French, music, and washing—extra.’”

    “You couldn’t have wanted it much,” said Alice; “living at the bottom of the sea.”

    “I couldn’t afford to learn it.” said the Mock Turtle with a sigh. “I only took the regular course.”

    “What was that?” inquired Alice.

    “Reeling and Writhing, of course, to begin with,” the Mock Turtle replied; “and then the different branches of Arithmetic—Ambition, Distraction, Uglification, and Derision.”

    “I never heard of ‘Uglification,’” Alice ventured to say. “What is it?”

    The Gryphon lifted up both its paws in surprise. “What! Never heard of uglifying!” it exclaimed. “You know what to beautify is, I suppose?”

    “Yes,” said Alice doubtfully: “it means—to—make—anything—prettier.”

    “Well, then,” the Gryphon went on, “if you don’t know what to uglify is, you are a simpleton.”

    Alice did not feel encouraged to ask any more questions about it, so she turned to the Mock Turtle, and said “What else had you to learn?”

    “Well, there was Mystery,” the Mock Turtle replied, counting off the subjects on his flappers, “—Mystery, ancient and modern, with Seaography: then Drawling—the Drawling-master was an old conger-eel, that used to come once a week: he taught us Drawling, Stretching, and Fainting in Coils.”

    “What was that like?” said Alice.

    “Well, I can’t show it you myself,” the Mock Turtle said: “I’m too stiff. And the Gryphon never learnt it.”

    “Hadn’t time,” said the Gryphon: “I went to the Classics master, though. He was an old crab, he was.”

    “I never went to him,” the Mock Turtle said with a sigh: “he taught Laughing and Grief, they used to say.”

    “So he did, so he did,” said the Gryphon, sighing in his turn; and both creatures hid their faces in their paws.

    “And how many hours a day did you do lessons?” said Alice, in a hurry to change the subject.

    “Ten hours the first day,” said the Mock Turtle: “nine the next, and so on.”

    “What a curious plan!” exclaimed Alice.

    “That’s the reason they’re called lessons,” the Gryphon remarked: “because they lessen from day to day.”

    This was quite a new idea to Alice, and she thought it over a little before she made her next remark. “Then the eleventh day must have been a holiday?”

    “Of course it was,” said the Mock Turtle.

    “And how did you manage on the twelfth?” Alice went on eagerly.

    “That’s enough about lessons,” the Gryphon interrupted in a very decided tone: “tell her something about the games now.”

    http://www.gutenberg.org/ebooks/11